Hızlı ve kolay bir şekilde sende web site sahibi olmak istiyorsan tek yapman gereken sitenin aşağısında bulunan iletişim formu üzerinden gerekli bilgileri girmen. Hepsi bu kadar.
Web Siteye Reklam Ver
Sende web sitemize reklam vermek veya ilan vermek istiyorsan. Tek yapman gereken sitenin en altında bulunan yere iletişim bilgilerini girmen yeterli olacaktır. Ekip arkadaşlarımız siziznle iletişime gececektir.
Web Sitemizin Yazarı Editörü OL
Sende kalemine güveniyorsan web sitemizde bir şeyler paylaşmak yazmak istiyorsan siteinin en aşağısında bulunan iletişim formunu kullanarak bizimle iletişime gecebilirisni
Yesterday, Duchess Helene of Württemberg celebrated her ninetieth birthday. The duchess was born on 29 June 1929 at Stuttgart as the first child of Duke Philipp of Württemberg (1893-1975) and his second wife Archduchess Rosa of Austria-Tuscany (1906-1983). Philipp was previously married to Rosa's sister Archduchess Helena of Austria-Tuscany (1903-1924), who died a few days after giving birth to the couple's only child, Duchess Marie Christine (b.1924). In addition to her older half-sister, Duchess Helene was joined by five younger siblings: Duke Ludwig (b.1930), Duchess Elisabeth (b.1933), Duchess Marie Thérèse (b.1934), Head of House Württemberg Duke Carl (b.1936), and Duchess Marie Antoinette (1937-2004).
Wedding of Duchess Helene of Württemberg and Marchese Federico Pallavicini
On 22 August 1961 at Althausen, Helene was civilly married to Marchese Federico Pallavicini (b.1924). The following day the couple were wed in a religious ceremony at Friedrichshafen. The groom had previously been married to Countess Maria Kinsky von Wchinitz und Tettau (1924-1960); Federico and Maria married in 1945 and divorced in 1949 after having had one son, Alexander (b.1946).
Marchesa Helene and Marchese Federico Pallavicini in 1997
(left to right) Princess Marie Christine of Liechtenstein, Prince Antonio of Bourbon Two-Sicilies, and Marchesa Helene Pallavicini at the celebrations for the 70th birthday of Duke Carl in 2006
The Württemberg siblings in 2006: (left to right) Marchesa Helene Pallavicini, Princess Marie Christine of Liechtenstein, Duke Carl of Württemberg, Princess Elisabeth of Bourbon-Two Sicilies, and Duke Ludwig of Württemberg
Helene of Württemberg and Federico Pallavicini have four children: Maria Cristina (b.1963), Antoinetta (b.1964), Gabriela (b.1965), and Gian-Carlo (b.1967).
For more on the Royal and Noble Families of Europe, subscribe to ERHJ by clicking on the link:
It is widely being reported that Archie Harrison Mountbatten-Windsor (b.8 May 2019), the only child of the Duke and Duchess of Sussex, will be christened this coming Saturday, 6 July.
The christening is to take place in St George's Chapel at Windsor Castle.
The bride's parents Count Friedrich Ernest and Countess Sylvia zu Solms-Laubach with their granddaughter Georgina
The happy newlyweds!
Prince Joachim of Prussia and Countess Angelina zu Solms-Laubach were married today at Majorca in the Church of Montes-Sion. The bride was escorted into the church by her father. The groom entered on the arm of his mother Princess Ehrengard of Prussia, second wife of the late Prince Friedrich Wilhelm of Prussia.
Among the guests with Prince Georg Friedrich and Princess Sophie of Prussia as well as Grand Duchess Maria of Russia, Grand Duke George of Russia, and George's partner Rebecca Bettarini. The groom's siblings were also present: Prince Friedrich Wilhelm of Prussia with his wife Princess Anna Catharina (née von Salza und Lichtenau) and Hereditary Princess Viktoria Luise of Leiningen (née Prussia) with her husband Hereditary Prince Ferdinand. Others in attendance included Prince Adalbert and Princess Eva Maria of Prussia, Prince Otto zu Castell-Rüdenhausen, and Princess Amelie zu Löwenstein-Wertheim-Freudenberg
Prince Joachim and Princess Angelina have one daughter, Georgina.
Rebecca Bettarini, Grand Duke George of Russia, Grand Duchess Maria of Russia
Prince Georg Friedrich and Princess Sophie of Prussia
For more on the Royal and Noble Families of Europe, subscribe to ERHJ by clicking on the link:
Magic Order iyi büyücüler ve bu iyi büyücülerden ayrılıp kötü tarafa geçen büyücüler arasındaki mücadeleye odaklanan sonu gayet sürprizli, içinde evladını kaybeden bir baba ve onun acıları ve bir de bir kitap var. Bu kitap üstün güçlere sahip olmak isteyenlerin hedefindedir. Babasında bulunduğu için bu kitabın kendinin olmasını, kendisine miras kalması gerekir diyen kötü bir büyücü var.
İyi büyücülere tek tek suikast düzenlenmektedir. Nihai hedef iyi büyülerin lideridir. Okuyoruz efendim.
Bloga katkı için adflylı linkte indirebilirsiniz. Bir süre sonra açık mediafire linki silinecek, adflylı olan kalacak. Verdiğim rahatsızlıktan dolayı şimdiden özür dilerim.
Accompanied by the Kaleidoscope Chamber Orchestra, the American violinist William Hagen performs Ralph Vaughan Williams's The Lark Ascending. The concert was recorded at First Presbyterian Church in Santa Monica, on February 19, 2017. ✻ The Lark Ascending is a relatively simple piece – its musical discourse is plainly and easily perceived; yet at its heart is an emotional profundity that links it with other works by Vaughan Williams from the same period, in which a calm, almost detached pastoral approach is used to convey great feeling. Vaughan Williams completed The Lark Ascending in 1914 for violinist Marie Hall, with whom he consulted on the solo part. After a thorough revision in 1920, she first played it in a violin-piano arrangement in Shirehampton Public Hall in December 1920. The first performance of the orchestral version was in London, at a Queen's Hall concert in June, 1921, during the second Congress of British Music Society. Verses from George Meredith's poem "The Lark Ascending" precede this evocative tone painting, describing the unique circling ascent of the lark, accompanied by its long-breathed, rhapsodic song. The writing for the violin mimics the "silver chain of sound... In chirrup, whistle, slur and shake" described by Meredith, though of course it also carries the main melodic argument. A brief cadence of soft chords from winds and strings discreetly usher in the first flight of the soloist, who rhapsodizes without accompaniment on a folk-like theme of considerable plasticity. The orchestra then quietly enters, and the first theme is developed organically until the section closes with a reprise of the solo cadenza. A more straightforward folk theme on woodwinds begins the middle section, which has been likened to the pastoral countryside over which the lark soars; the violin's free descant over the orchestra certainly underscores that impression. A magical moment ensues when solo woodwinds evoke a panoply of birdsong under the busy rustling of the violin; the effect is like a choir of birds led by the virtuoso lark. Vaughan Williams would achieve a similar effect in Jane Scroop: Her Lament for Philip Sparrow from his 1935 choral suite Five Tudor Portraits. A note of sadness and nostalgia informs the reprise of the first section, and the piece ends with one more cadenza from the violin, whose song circles ever higher into the upper reaches of the instrument until it more disappears than ends; as quoted from Meredith, "Till lost on his aerial rings / In light, and then the fancy sings." Source: Mark Satola (allmusic.com)
Ralph Vaughan Williams (1872-1958)
♪ The Lark Ascending, romance for violin & orchestra (1914, rev. 1920)
William Hagen, violin
Kaleidoscope Chamber Orchestra
Concertmaster: Benjamin Hoffman, violin
First Presbyterian Church in Santa Monica, February 19, 2017 (HD 1080p)
American violinist William Hagen (b. 1992) has performed as soloist, recitalist, and chamber musician across the United States, Europe, and Asia. This season, William performs with orchestras all over the United States, including his debut with the Detroit Symphony Orchestra, and appears at the Louvre in Paris and other venues around Europe.
Summer of 2018 featured debuts with the San Francisco Symphony and Alexander Prior, the Indianapolis Symphony Orchestra and Brett Mitchell, and an appearance at the Grant Park Music Festival in Chicago with Carlos Kalmar and the Grant Park Orchestra.
His 2017-2018 season featured debuts with the Frankfurt Radio Symphony Orchestra (hr-Sinfonieorchester) conducted by Christoph Eschenbach and the Seattle Symphony directed by Pablo Rus Broseta, and return engagements with the Utah Symphony under the direction of Matthias Pintscher and the Fort Worth Symphony Orchestra led by Andrew Gourlay. He performed recitals with pianist Albert Cano Smit in Chicago, Aspen, Darmstadt, and at the University of Florida.
In the 2016-2017 season, William performed with conductor Nicolas McGegan both at the Aspen Music Festival and with the Pasadena Symphony, made his debut with the Oregon Symphony under Carlos Kalmar, performed with the Brussels Chamber Orchestra in Beijing, and played recitals in Paris, Brussels, Virginia and at the Ravinia Festival. He played chamber music concerts with Steven Isserlis at Wigmore Hall in London, with Tabea Zimmermann at the Beethovenhaus in Bonn, and in New York City with the Jupiter Chamber Players.
William's 2015-2016 season included his Tokyo recital debut, his debut at the Colmar Festival in France, and recitals in Los Angeles, Brussels, and several cities in Florida. He returned to the Utah Symphony at Deer Valley Music Festival and to the Aspen Music Festival, both as chamber musician and as soloist with conductor Ludovic Morlot, and appeared with the Sofia Philharmonic in Bulgaria and the Shreveport Symphony, among others. He also played chamber music with Gidon Kremer, Steven Isserlis, and Christian Tetzlaff at the "Chamber Music Connects the World" festival in Kronberg, Germany.
Since his debut with the Utah Symphony at age nine, William has performed with conductors such as Marin Alsop, Christian Arming, Placido Domingo, Miguel Harth-Bedoya, Michel Tabachnik and Hugh Wolff, and with the symphony orchestras of Albany, Buffalo, Fort Worth, Jacksonville, St Louis, Oregon, Utah, and others. Abroad, he has performed with the Brussels Philharmonic, the National Orchestra of Belgium, the ORF Radio-Sinfonieorchester in Vienna, the Orchestre Philharmonique Royal de Liège, and in Japan with the Yokohama Sinfonietta and the Sendai Philharmonic.
A native of Salt Lake City, Utah, William first heard the violin when he was 3 and began taking lessons at age 4 with Natalie Reed, followed by Deborah Moench. At age 10, he began studying with Robert Lipsett at the Colburn School in Los Angeles, where he studied until the age of 17. After studying at the Juilliard School for two years with Itzhak Perlman, William returned to Los Angeles to continue studying with Robert Lipsett at the Colburn Conservatory. He is currently enrolled at the Kronberg Academy in Germany, where he is a student of Christian Tetzlaff. William is an alumnus of the Verbier Academy in Switzerland, the Perlman Music Program, and the Aspen Music Festival, where he spent many summers.
William performs on the 1732 "Arkwright Lady Rebecca Sylvan" Antonio Stradivari, on generous loan from the Rachel Barton Pine Foundation.
Exciting news: Eurohistory now has an official Instagram account. Please follow the account for news on Eurohistory's publications, updates on issues of the European Royal History Journal, and pictures from the Eurohistory Photo Collections. As always, Eurohistory appreciates your support - we are grateful that you are on the journey with us!
Grand Duchess Maria of Russia and Grand Duke George of Russia have arrived in Majorca to attend the wedding of Prince Joachim of Prussia (b.1984), son of Princess Ehrenhard of Prussia (b.1943; née von Reden) and the late Prince Friedrich Wilhelm of Prussia (1939-2015), to Countess Angelina zu Solms-Laubach (b.1983), daughter of Count Friedrich Ernest zu Solms-Laubach (b.1940) and Baroness Sylvia von Podewils (b.1952). Joachim and Angelina's wedding will take place tomorrow, Saturday, 29 June. The couple have one daughter, Georgina (b.2018).
Also in Majorca is Rebecca Bettarini, who has been in a relationship with Grand Duke George for many years. If Rebecca attends the wedding of her partner's second cousin, this will be the first family event at which both Grand Duchess Maria and Rebecca have been present. It might be the sign of an imperial engagement on the horizon...
For more on the Royal and Noble Families of Europe, subscribe to ERHJ by clicking on the link:
Sorry! The content you were looking for does not exist or changed its url.
Please check if the url is written correctly or try using our search form.
Bigger Archive Portal
Other portals
World War I , Africa ,United States of America ,Anime and manga ,Ankara ,Anthropology ,Military • Astronomy • Asia • European Union • Azerbaijan • Azerbaijan (Iran) • BBC • Beşiktaş • Science • History of science • Biography • Byzantine Empire • Bosnia -Herzegovina • Jazz • Sexuality • Geography • China • Language • Religion • Literature • Energy • Armenia • Eurovision • Evolutionary biology • Philosophy • Feminism • Fenerbahçe • Palestine • Physics • France • Football • Galatasaray • South Korea • Georgia • Harry Potter • Aviation • Hinduism • Christianity • Iraq • England • Human rights • Internet • Iran • Islam • Istanbul • Scouting • Izmir • Japan • Kazakhstan • Cyprus • Kuwait • North Korea • North Macedonia • Culture • Lady Gaga • LGBT • Liberalism • Madonna • Mathematics • Media • Mexico • Michael Jackson • Mustafa Kemal Atatürk • Music • Middle East • Middle World • Ottoman Empire • Automobile • Free software • Pakistan • Psychology • Russia • Art • The Simpsons • Cinema • Politics • Socialism • Soviet Union • Sports • Syria • History • Technology • Television • Terrorism •Medicine • Theater • Society • Turkish Armed Forces • Turkish history • Turkey • Video games • Judaism • Stargate
Kayıtlar
