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Vote etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Vote etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

The Power of the Latino Vote

 


The Power of the Latino Vote

Randy Shaw is the Director of San Francisco’s Tenderloin Housing Clinic, and is Editor of the online daily newspaper, BeyondChron.org. His

previous books are The Activist’s Handbook and Reclaiming America, both from UC Press. While his latest book, Beyond the Fields: Cesar Chavez, the UFW, and the Struggle for Justice in the 21st Century (UC Press, September 2008) examines how Cesar Chavez’s crusade for labor rights paved the way for social change.


On October 1st, Shaw published the article “Why the Latino Vote Could Decide the 2008 Election” on Alternet.org. In addition, you can read the entire post below.


Why the Latino Vote Could Decide the 2008 Election


By Randy Shaw


In California’s 2008 February primary elections, Latinos made up 30 percent of all total voters.


For the first time in U.S. history, Latino voters could play a decisive role in a presidential election this year. If they do, we can thank Cesar Chavez and his protégés.


Why? The UFW pioneered the grassroots campaign model we see in place today.  In the 1968 California Democratic presidential primary, the UFW treated its campaign for Robert Kennedy like a community organizing drive. How?

They went door-to-door in California’s barrios like people did before TV ads dominated politics. Analysts later found the farmworkers’ union’s turnout of Mexican-American voters provided most of Kennedy’s narrow margin of victory.


In 1972, the UFW faced a well-funded, grower-backed California ballot initiative, Prop 22. The union set up tent cities to house hundreds of farmworkers who came from the fields to help the campaign. Though heavily outspent, the UFW defeated Prop 22 by over one million votes, again showing its ability to get Latino voters to the polls.


Four years later, the UFW put Prop 14 on the California ballot. It failed, due to poor drafting and timing. But the campaign trained a generation of activists in voter registration drives, mass petition campaigns, intensive door-to-door and street outreach, public visibility events and Election Day voter turnout efforts.


Sound familiar?  Former UFW Organizing Director Marshall Ganz, who led the Prop Fourteen effort, went on to develop organizing strategies for Barack Obama’s campaign.


Today, groups like Mi Familia Vota (MFV), involving such UFW alumni as SEIU leader Eliseo Medina, are active in eleven states. MFV is particularly targeting infrequent Latino voters in Colorado, whose turnout could swing the

state—and perhaps decide the presidency. Mi Familia Vota is alsoworking to boost Latino voting in New Mexico, Nevada and Florida, three states that went for President Bush in 2004.


Forty years ago,Cesar Chavez and the UFW began working to increase Latino voting. But the UFW’s successful model remained isolated for decades while campaigns relied on expensive TV and radio ads, unlikely to meaningfully boost Latino turnout.  This year, thanks to UFW alumni, its outreach model has been revived and could determine our next President.

5:12 Compostion

For those of you who voted last week on which photo I should make into a canvas print, thank you! Here are the two winners.



And now, for week 5 of 12 Weeks to Better Photos, our task was to concentrate on Composition, with these six tips in mind:

1. Keep it simple - eliminate distractions
2. Apply the rule of thirds
3. Keep an eye on the horizon
4. Frame your subject
5. Fill the frame
6. Try a new perspective

I took a few photos this weekend, and I had friends take a few photos of me, to give examples of these.

This first one is a great example of rule number 1 (eliminate distractions), 2 (rule of thirds) and 4 (frame your subject). In photo number one, there are people behind me and I am right smack in the center of the photo. Take a look at photo number two. What are you looking at now? Not the people behind me. You are looking at the subject. Also, I am not right in the middle anymore. I am off to the side so you can see both the subject and the other important elements of the photo. 



This next one is a great example of rule number 2 (rule of thirds) and 3 (eye on the horizon). In photo one, the photo is split in half. You are not sure where to direct your eye. Should you look at the road or the sky?  In photo two, it is better proportioned, with the sky taking up roughly one third of the photo instead.


This is a classic example of what NOT to do. In photo number one (bottom right), the pole is obstructing the subject of the photo. Also, again, the subject is right in the middle. This can confuse the eye and the brain when trying to figure out what to focus on / what is important. The other two photos not only clear up the space a lot, but put the subject closer and in more of a pleasing position in the photo. Notice the rule of thirds, not only for the horizon, but for the subject as well.



The next one makes me laugh. Every time I ask someone to take a photo for me, they put me (the subject) right in front of what I am trying to get them to take the photo of me WITH. For example, I've been positioned right in front of the Eifel tower, and had many strange things (poles, signs, church spires) coming out of my head instead of being beside me.

Sometimes the easiest thing to do when composing a photo is to have either the subject or the photographer take ONE STEP to the left or the right. For example, in the photos below. My friend took photo number one first, in which I am not only obstructing the path, but I am right in the middle of the photo again. So he took a step to the left and BAM, now you can see me AND the path and I am off to the side, which satisfies (accidentally in this case) the rule of thirds (now we just need to work on the dappling sun/shade combo.)


Oh...what is the rule of thirds, you ask? You can read more about it here, but basically, you section your photo off into 9 equal sections, like in the photo below. You want your subject to be basically along these lines or their intersections. See that the horizon as well as the girl are placed along these lines? Your camera, even if you have a point and shoot, should have a "display" mode where you can see these lines as you are taking the photo. It makes the photo more pleasing to the eye. Try it and see!


This week, I have an assignment for you. No matter what kind of camera you have, try using the rule of thirds to place your subject in a more pleasing position in the photo. Even if you only have sky and land, try placing your sky either 2/3 up or 1/3 up from the bottom of the photo! Come back and let me know how you did!

Have you ever asked someone to take your photo and ended up blocking the thing you wanted the photo to be with? Have you ever experimented with the rule of thirds or composition in general?

You can link up with Kate this week and/or join us next week, when we learn about Shooting Indoors.

Life On Canvas

Hi everyone. I am going to post today's 12 Weeks to Better Photos soon. But first, I have a little request for you guys. I recently got a Groupon for 2 (two) 16 inch by 20 inch canvas prints. I have to pick them by mid October. Do you know how hard it is to narrow your photos down to TWO!? It's such a big decision! I mean, there are so many I like, but now it's Pressure Time. Do I want landscapes or people? Travel Photos or photos of home? Black and White or Color? AAAAHHH!! And they are going to be kind of big, so I want to take that into consideration.

Can you help me? I have narrowed it down to seven. It was hard. I decided that I didn't want huge people staring at me (especially myself). It's down to travel, home and landscapes, or a combo of two. Now it's go time.

HERE IS WHERE I NEED YOUR HELP! I have to pick TWO of these to make into prints. I don't really care if they go together per se, because I can always hang them on different walls, or in different rooms. Here they are. I have numbered them so if you could let me know which number you like the best, that would be so helpful. I am driving myself crazy over here (believe me, picking these 7 was not easy and I am still doubting/second guessing my choices).

1
2
3
4
5
6
7
Thanks so much for your input! 
___________________________________________________________________

And now, the 12 Weeks to Better Photos: Week 4: Flash

Okay, so for this week's assignment, we had to play with our flash. I rarely use my flash. I feel like most of the time it washes the subject out. But, that may just mean I need more practice.

The assignment was to go outside and take photo of someone with the sun at their back without the flash and then with the flash. The second part was to go outside on a cloudy day and to use the flash to brighten up the subject.

There were no sunny days so I decided to stimulate the sun by doing my photo inside. As you can see, if the light is behind the subject, it is better and brighter to use your flash.


For the second part, we luckily (?) had a lot of cloudy days, so it was no problem. Again, the flash brightens it up just a tad, which can be helpful at times. 


I was not really super excited about this assignment to be truthful. Not only do I not like my flash (the one that comes on the camera) but I also don't take a lot of photos of people, or subjects that necessarily need lighting. However, I do feel like I learned that flash is not always bad! Maybe I would like to use it more if I had this. 


Anyway, make sure to link up over at Kate's and join us for week 5: a lesson on Composition.

Do you use your flash a lot? Do you like it? Please, don't forget to let me know which of the above photos I should put on a 16 x 20 canvas!!!!

All of the following are rights guaranteed by the first ten amendments to the Constitution except...

  • the right to a jury trial.

  • the right to vote.

  • the right to bear arms.

  • freedom of speech. 


ANSWER: All of the following are rights guaranteed by the first ten amendments to the Constitution except the right to vote.