Bayram Cigerli Blog

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EUROHISTORY: Royal House of Bavaria now selling on AMAZON.co.uk

Dear Readers,

Today, our latest book, The Royal House of Bavaria, Volume 1, began selling on AMAZON.co.uk as copies have arrived in the United Kingdom!

Here is the link...

https://www.amazon.co.uk/dp/1944207090/ref=sr_1_1?keywords=the+royal+house+of+bavaria&qid=1560530717&s=gateway&sr=8-1

The book is also being sold by our partners at Hoogstraten and Galignani:

Hoogstraten: http://www.hogstraten.nl

Galignani: http://www.galignani.fr

Both selling venues have been shipped copies of the book and we assume that they are already in possession of them, or about two receive the deliveries!

Enjoy our latest, and very unique, book!



Nice, Fransa'nın Akdeniz kıyısındaki tarihi ve mavi şehri







Fransız Rivierası olarak da
bilinen Cote d'azur, Fransa'nın Akdeniz
kıyısında yer alan turistik bir bölgesi. Tatilimizin ilk gününde Monaco’yu gezdikten sonra
ikinci gününde, Cote d'azur’un en popüler ve Avrupa jet sosyetesinin cazibe
noktalarından biri olan Nice’i geziyoruz.



Cote d'azur bölgesinde, harika
manzaralar eşliğinde yol alırken dağlara yayılmış olan şirin köyler görüyoruz.
Bu

Jun Young Hong

Jun Young Hong
Selfies Spring 2019









Throw Back Thursday: The Marriage in Las Vegas of Prince Albrecht of Liechtenstein and Mylena Tullio


On 24 July 1971, Prince Albrecht of Liechtenstein (b.28 May 1940) married Marie-Thérèse "Mylena" Tullio (b.11 January 1940) in a civil ceremony at Las Vegas. Albrecht was the son of Prince Johannes of Liechtenstein (1910-1975) and his wife Countess Karoline "Lily" von Ledebur-Wicheln (1912-1996). Mylena was the daughter of Joseph Tullio and Clelia Giordano.



Both Albrecht and Mylena had been previously married - and divorced. Mylena Tullio was a former model. The couple hosted a reception for 200 people at Caesar's Palace, which was celebrating the fifth anniversary of its opening. 

Mylena with her daughter Lorenza

Prince Albrecht and Mylena had one child, a daughter. Baroness Lorenza von Landskron was born on 16 April 1973 at Neuilly; her father had taken the title Baron von Landskron on 28 January 1971, some months before he married Mylena. 

Lorenza and Antonio
In 1996, Lorenza married don Antonio del Balzo di Presenzano (b.1961), the son of Gennaro del Balzo di Presenzano (b.1932) and Carla Valsecchi. In 2001, Lorenza and Antonio welcomed their only child, donna Vittoria del Balzo di Presenzano. The couple separated the following year. 

Lorenza and Francesco

Lorenza later became the partner of Francesco Trapani (b.1952). Francesco is the former CEO of Bulgari. Lorenza and Francesco have one daughter together, Allegra Trapani (b.2004).  

Albrecht and his first wife Tamara

Aged seventy-seven, Prince Albrecht of Liechtenstein died on 5 August 2017. He was survived by his wife Mylena, his son Albrecht (b.2 April 1967) from his first marriage to Tamara Nyman (b.1939), and his daughter Lorenza. Prince Albrecht and Tamara were married from 1966 until 1971. The prince was predeceased by his daughter Tatjana (1965-2001).

For more on the Royal Families of Europe, please subscribe to ERHJ by clicking on the link:

221B Baker Street in Pennsylvania

Holmes has just left the chair at Denny Dobry's 221B
My work as a mystery writer has been hugely influenced by Mel Brooks’s comment to Ed McBain that every successful TV show is about a family and a house. Neither of those elements has to be literal. In the various permutations of Star Trek, for example, the house is a spaceship ad the family is the crew.

But in the Canon, the family of Holmes, Watson, and Mrs. Hudson (with occasional evening visits from Inspector Lestrade) hold forth in a real house at one of the most famous addresses in the world – 221B Baker Street.

Last weekend, Ann and I had the joy of visiting two recreations of the famous sitting room at that address. My friends Denny Dobry and Gary Miller, both residents of Pennsylvania, are among a small group of passionate Sherlockians who have recreated 221B in their own homes. To be precise, they are two of 28 reconstructionists in the Baker Street Builders scion society.

I’ve known about Denny’s 221B in Reading for years, and I learned a lot about it last year from the “I Hear of Sherlock Everywhere” podcast. But in the room, with all its authenticity and detail, was something else again. I had the feeling that I was only moments too late, that Holmes and Watson had just run out the door on another adventure.

Gary’s reconstruction at his home in York is perhaps less well known to the general public, but no less impressive.

Whatever most says “221” to you – the Persian slipper, the tantalus and gasogene, the photograph of “Chinese” Gordon, the violin case, the chemical table, Dr. Watsons’s bookshelf, the bust of Napoleon, or whatever – you will find it in these rooms. I stand in awe at the creators’ passion, persistence, and attention to detail.

Well done, gentlemen!

Tantalus, gasogene, and violin case at Gary Miller's 221B

Yoon Jong Muc

Yoon Jong Muc
Backstage Competition Fall 2017







EUROHISTORY: New Book – The Royal House of Bavaria, Volume 1



The Wittelsbachs ruled over Bavaria and the Rhineland Palatinate for nearly 750 years, this fact made their dynasty one of Europe's longest-ruling families. Their ranks include some of the most fascinating royal personages of Europe's long-lasting royal saga!


Theirs is a history of not only sublime exaltation, but also deep and sorrowful loss. The Wittelsbachs were patrons of the arts and letters, incredible builders, scientists, politicians, visionaries, and maddening personalities. They produced unique personalities like "Mad" King Ludwig II, Empress Elisabeth (Sissi) of Austria, as well as erudite beings, including two medical doctors (Prince Ludwig Ferdinand and Duke Karl Theodor), not to mention expert scientists like the forward-thinking Princess Therese of Bavaria!


This first volume covers the history of the family from its beginning in the XI century to the life of Crown Prince Rupprecht, who died in 1955. In fact, the book is dedicated to him, "the best king Bavaria never had."


This is yet another collaboration between Coryne Hall and Arturo E. Beéche. Between them, these notable royal authors have written nearly 30 books. They are among the most prolific royal authors of our era!


The book begins selling on Amazon on June 15, 2019. Freshly bound copies directly from the printer are already on their way to us!


To purchase the book, starting Saturday, June 15, click on the link below!


https://www.amazon.com/dp/1944207090?ref=myi_title_dp


Our partners at Hoogstraten.nl and Librairie Galignani in Paris, will have copies available this coming week!

Summer Flowers, Painting and Porch updates

Ah! Summer is here in full swing! The porch is almost tree house like with all the leafy green trees surrounding it. I have been doing a little fluffing and sprucing to the porch. We changed the pillow covers to our usual summer covers and have added one or two other things.


I suddenly remembered I had a basic wooden stool in the basement and decided it would make a great plant stand behind the settee. Then Mandy found a (slightly squashed) fern on sale to perch on top. Perfect!

We have had pansies on the porch this spring. This one is lovely! 

 I forgot I wanted a new doormat to spruce up the porch, until I saw this one at Hobby Lobby! Mandy managed to get Kerri to "pose" for us. I love all the colors!


 Summer also means gardening around here. This year we have larger hanging baskets on our fence hooks. The tin buckets, while very cute, looked a little lost on the fence. We are loving the bright geraniums!



We also got our patio pots planted! (Say that seven times fast!) Can't wait to see what they will look like all filled out!

Summer is all about projects too, right? So last Friday I decided it was time to get re-painting the bathroom checked off the list!

 One of the perks of having a small bathroom is it is quick to paint! I managed to paint the bathroom and back hall (they were both the same color) in a little under three hours. Made a nice start to the weekend! (I don't often get a bird's-eye-view of the bathroom. The ladder was half in the bathtub for cutting in around the ceiling!)

I didn't get any spiffy "after" pictures. And it doesn't really look any different as I used the same color paint. It just feels a lot fresher and clean with a new coat of paint. Six years of wear and tear in a bathroom was starting to show on the walls! 

Saturday was filled with a bunch of projects outdoors! All of which I will share more details later. Mandy built a potting bench, which is super cute! I cleaned out the garage, which inspired Mandy as I found a bunch of lumber. The Great Radiator Project has also started. In the left corner of the picture above you can see a radiator I am scraping. There are two I need to scrap and re-paint. The others just need a touch up coat of paint. I am also working on patching the cold air returns in the cottage, which is why there are old floor boards there! I was cleaning and stripping the finish on the boards.
It took a bit for me to adjust to not having the Brick House to work on! Still in process, but I am getting into re-focusing on projects around the cottage. The biggest one this year is to get the whole house fitted with radiators. There are a lot of steps that project and hopefully we can get most of them done this summer!

I dug this embroidered cottage out of my closet and finally got it finished! 

Şükrü Özyıldız Kimdir?

şükrü özyıldız hayatı

Şükrü Özyıldız 1988 İzmir doğumlu profesyonel oyuncu ve tiyatro tutkunudur. Karadenizli bir babanın ve Rum bir annenin oğludur. Kendisinden iki yaş küçük bir de kız kardeşi vardır. Üniversite eğitimi için İstanbul Üniversitesi Gemi Makineleri Mühendisliği bölümünü kazanmıştır. Bu bölümde bir yıl okuduktan sonra tekrar sınava girerek Ege Üniversitesi İşletme bölümünü kazanmıştır. Erasmus programı ile Portekiz'e gitmiştir.

şükrü özyıldız kaslarıSpor ile iç içe bir yaşam geçirmiştir. Küçük yaşlardan beri spora ilgi duyan Şükrü Özyıldız Portekiz'e gittiğinde kafes dövüşlerine merak salmıştır. Bir dönem dövüş sporları ile ilgilendikten sonra ikinci tutkusu olan tiyatroya ağırlık vermiştir. Müjdat Gezen Sanat Merkezinde oyunculuk eğitimleri de alarak kariyerini bu yönde geliştirme kararı almıştır.

Şükrü Özyıldız ilk olarak "Derin Sular" adlı dizi projesinde ekranlara çıkmıştır. Dizide "Toprak" karakterini canlandırmış ve gösterdiği oyunculuk performansı ile kariyerine sağlam bir adım atmıştır.

Oyunculuk kariyerindeki başarı basamaklarını yavaş yavaş tırmanmaya başlayan Şükrü Özyıldız'a bir çok reklam, film ve dizi projesinden teklif gelmiştir. Rol aldığı projelerden birkaçı;

Şükrü Özyıldız'ın Rol Aldığı Film ve Diziler

  • Derin Sular
  • Uçurum
  • Neva
  • Her Şey Aşktan
  • Sevimli ve Tehlikeli
  • Şeref Meselesi
  • Ekşi Elmalar
  • Kış Güneşi
  • Cebimdeki Yabancı

Şükrü Özyıldız Boy ve Kilosu

Şükrü Özyıldız
190 cm boya ve 85 kilo vücut ağırlığına sahip.

Estetik Vücutlar kategorimizdeki diğer yazılara ulaşmak için buraya tıklayabilirsiniz.

Kişisel Yorumum : "Başarılı bir oyuncu. Kendisine dövüş konulu bir rolün yakışacağını düşünüyorum."

Wolfgang Amadeus Mozart: Symphony No.39 in E flat major – Kaleidoscope Chamber Orchestra (HD 1080p)














The Kaleidoscope Chamber Orchestra performs Wolfgang Amadeus Mozart's Symphony No.39 in E flat major, K.543. The concert was recorded at Rothenberg Hall, Huntington Library, San Marino, California, on December 9, 2018.



No group of Mozart's works has been the subject of more discussion than his final three symphonies, No.39 in E flat major, No.40 in G minor, and the "Jupiter" No.41 in C major. They were apparently composed within the remarkably short space of about two months during the summer of 1788, and the composer's motivation for writing them has since been vigorously debated. In common with his contemporaries, Mozart composed nearly exclusively for practical purposes, yet none has been positively identified in this instance. Still, the least plausible explanation advanced is that Mozart composed his great final symphonic trilogy as a result of some personal "inner need", the attractive romanticism of the theory being compounded by the assertion that he did not live to hear these three pinnacles of the symphonic repertoire performed. Such a theory runs counter to all we know about Mozart's working practices. In particular, he would not have had the time for such indulgence during the period concerned, a summer during which his surviving correspondence is predominantly concerned with increasingly desperate begging letters to his benefactor and fellow Freemason Michael Puchberg. More practically, it has been suggested that Mozart intended to mount a series of subscription concerts for the fall or Advent season. It was thought that these concerts never took place, but recently the scholar H.C. Robbins Landon has persuasively argued that these concerts were in fact held, with the three last symphonies as the principal new works performed at them. It also appears highly likely that Mozart took the new works on the tour of Germany he undertook the following year.

In the three symphonies of 1788 (to which must be added in this regard the "Prague" Symphony of 1786) we find the culmination of Mozart's assimilation of the contrapuntal style of Bach and Handel he had first begun to study during the early 1780s. It was this synthesis of "learned" style with the clean clarity of classicism that caused so much trouble for Mozart's contemporaries, to whom his late style became increasingly "difficult". Each of the symphonies occupies a very specific world of its own. The E flat Symphony, entered by Mozart into his thematic catalog on June 26, 1786, is often characterized as being "warm and autumnal" (Robbins Landon), a description that (as so often with Mozart) tells only part of the story; it fails to bring to attention the symphony's tensile strength and a dramatic quality that does not preclude moments of pathos more readily associated with the G minor symphony. There are four movements. The opening Allegro is prefaced (as it had been in both the "Prague" and "Linz" symphonies, its immediate numerical predecessors) by a powerful slow Adagio introduction. The following Andante has a secondary theme which is much stormier (and also subjected to considerable development) than might be expected in a "slow" movement, while the succeeding Minuet has an elegant gait set off by a rustic central trio. The final Allegro is a dazzling display of good humor and contrapuntal wizardry, its complexity skillfully masked in one of those movements in which the composer conceals his art. The Symphony is scored for flute, pairs of clarinets, bassoons, horns, trumpets, timpani, and strings.

Source: Brian Robins (allmusic.com)



Wolfgang Amadeus Mozart (1756-1791)

♪ Symphony No.39 in E flat major, K.543 (1788)

i. Adagio – Allegro
ii. Andante con moto
iii. Menuetto e Trio. Allegretto
iv. Finale: Allegro

Kaleidoscope Chamber Orchestra

Rothenberg Hall at The Huntington Library, San Marino, California, December 9, 2018


(HD 1080p)
















Kaleidoscope Chamber Orchestra: About

Vision. We envision a world where our commitment to a collaborative artistic process results in profound orchestral performances that inspire people to pursue cooperation and artistry in their own creative, professional and personal lives.


Mission. Kaleidoscope is a conductorless chamber orchestra dedicated to enriching lives through exhilarating concert experiences, artistic excellence, musician leadership, and connecting with the diverse communities of Los Angeles.


Core Values

• We believe that our collective of musicians has ideas that are worthy of respect and consideration; that each member has a voice worth hearing; that every person, given the chance and tools, can help to create great art.
• We believe that pursuing a democratic process within the orchestra will improve the quality of the performance, fulfill the collective vision of the ensemble, and create a unique experience not found in traditional orchestras.
• We believe in developing an infrastructure that supports, empowers, and values its musicians.
• We believe in bringing our performances and artistic process to audiences who have little or no exposure to symphonic music with the belief that the experience will enrich the lives of both the audience and the performers.

Artistic Intent. We perform orchestral music that speaks profoundly to our community and is both representative of its time and timeless, whether written today or centuries ago. We stretch the boundaries for what is thought possible without a conductor, both by musicians and audiences, to allow us all to grow through the process. We regularly collaborate with living composers because their music represents our time. We design programs that explore less conventional concert experiences and allow audiences to feel more personally connected to music and the musicians who perform it.


Community Engagement and Education. Kaleidoscope is committed to music education for all ages and is happy to offer a "pay what you can" model to eliminate the barrier of a set ticket price. We want everyone in Los Angeles to have the opportunity to experience great classical music in person by a professional orchestra, think about what that experience means, and pay what makes them happy. We also perform many additional free concerts in schools, hospitals, shelters, and other underserved parts of our community.


We recently started a music education program at a title I elementary school in Culver City, providing music instruction to 200 students each week. With additional funding, we are planning to expand this program to other grades and other schools in the future. Not only do we want every child in Los Angeles to love listening to music, we want every child to have the opportunity to read, play, and write music, too.


Source: kco.la








































More photos


See also


Yuan-Chen Li: “Wandering Viewpoint”, Concerto for Solo Cello and Two Ensembles – Michael Kaufman, Kaleidoscope Chamber Orchestra (HD 1080p)

Samuel Barber: Knoxville, Summer of 1915 – Maria Valdes, Kaleidoscope Chamber Orchestra (HD 1080p)

Leoš Janáček: Mládí (Youth), suite for wind sextet – Members of the Kaleidoscope Chamber Orchestra (HD 1080p)

Olivier Messiaen: L'Ascension, 4 meditations for orchestra – Kaleidoscope Chamber Orchestra (HD 1080p)

Ludwig van Beethoven: Symphony No.6 in F major "Pastoral" – Kaleidoscope Chamber Orchestra (HD 1080p)

Sergei Prokofiev: Symphony No.1 in D major "Classical" – Kaleidoscope Chamber Orchestra (HD 1080p)

Gustav Mahler: Symphony No.4 in G major – Janai Brugger, Kaleidoscope Chamber Orchestra (HD 1080p)

Ludwig van Beethoven: Symphony No.7 in A major – Kaleidoscope Chamber Orchestra (HD 1080p)

Ralph Vaughan Williams: The Lark Ascending – William Hagen, Kaleidoscope Chamber Orchestra (HD 1080p)

Aaron Copland: Appalachian Spring – Kaleidoscope Chamber Orchestra (HD 1080p)

Sergei Prokofiev: Piano Concerto No.3 in C major – Irene Kim, Kaleidoscope Chamber Orchestra (HD 1080p)

Ludwig van Beethoven: Symphony No.5 in C minor – Kaleidoscope Chamber Orchestra (HD 1080p)


Kaleidoscope: Meet a different, colorful orchestra