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The 77th Birthday of Princess Irene of Greece and Denmark

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During the exile of the Greek royal family from their country during World War II, HRH Princess Irene of Greece and Denmark was born at Cape Town, South Africa, on 11 May 1942. Irene was the third child and second daughter of Crown Prince Paul of the Hellenes (1901-1964) and Crown Princess Frederica (1917-1981; née Hannover), who wed in 1938. The princess joined an elder sister, Sophia (b.1938), and an elder brother, Constantine (b.1940). Irene's godfather was Field Marshal Jan Christiaan Smuts (1870-1950), the 2nd Prime Minister of South Africa. In 1946, the Greek royals returned to their country - Irene's uncle was King George II of the Hellenes.

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In 1947, following the death of her uncle George II, Irene's father Paul succeeded to the Greek throne as King of the Hellenes. His reign would last until 1964, when he died at the age of sixty-two. At that time, Irene's brother became King Constantine II of the Hellenes. His reign would last until 1973, when the Greek monarchy was abolished.

Gina Bachauer

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During her formative years, Princess Irene was a pupil of the concert pianist Gina Bachauer. Afterwards, the princess performed as a professional concert pianist herself.

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In the wake of the flight of the Greek royals in 1967, Irene followed her brother Constantine and sister-in-law Anne-Marie into exile in Rome. They were accompanied by their mother, Frederica, who had become a polarising figure in Greece owing to her German birth. The royal family resided in a villa near Rome.

Princess Irene

Prince Albert of Belgium, Crown Prince Harald of Norway, Princess Irene of Greece, and Princess Paola of Belgium

At some point in the late 1960s, Princess Irene was in a relationship with Prince Michel d'Orléans (b.1941), one of the twin sons of the Count and Countess of Paris. This romance ended when Michel wed Béatrice Marie Pasquier de Franclieu in 1967, much to his father's consternation. There was also some hope that Princess Irene would win the heart of Crown Prince Harald of Norway; yet, Harald was already firmly set on marrying his future bride Sonja. In later years, Irene found as a companion an equerry of her brother, King Constantine; the couple never married nor had issue. 

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After her brother Constantine lost his throne in 1973, Irene moved to India with her mother: the two were very much interested in Hindu philosophy. After Queen Frederica's death, Princess Irene has lived in Spain in an apartment at the Zarzuela Palace in Madrid, the royal residence of her sister and brother-in-law, King Juan Carlos I and Queen Sofía of Spain.

Princess Irene of Greece and Denmark throughout the years

Together with her cousin Princess Tatiana Radziwill, Princess Irene is one of the closest confidantes of her sister, Queen Sofía of Spain.



Cahiliye Araplarına Göre Ölüm




Cahiliye Araplarına Göre Ölüm 

Ölümün Cahiliye Arabı için neyi ifade ettiği, bir yok oluşu mu yoksa yeni bir başlangıcı mı simgelediği sorusuna verilecek doğru cevaplar konunun netleşmesine ciddi anlamda katkı sağlayacaktır. Öncelikle Cahiliye Arabı kendilerine takdir edilen bir ömrün bulunduğunu ve bunun bir sonunun da olduğuna inanıyorlardı. Adına "ecele" denilen bu kaziyeye inanan dönemin insanlarına göre her bir yaratılmışın bir vadesi vardır. Bir adamın vadesi dolmadan ölmesi mümkün olmadığı gibi vadesi dolduktan sonra da bu dünya da varlığını sürdürmesi de imkansızdı.(59) Ölümü "sükün" olarak isimlendiren Cahiliye Arapları bunu söylerlerken de "ruhun" bedenden ayrılmasından sonra "bedenin" dinginliğe kavuşmasını kastederlerdi. Dolayısıyla "bedenin rahatladığı" anlamında "ölümü" "sükun" olarak isimlendiriyorlardı. (60) Onlara göre insan "ruh" ve "beden" olmak üzere iki parçadan oluşmaktaydı. Adına "nefs" denilen "ruh", son nefes ile bedeni terk ettiği için adını da nefesten almıştı. (61) Son nefesle ağız ve burundan bedeni terk  eden ruh, ölümsüz olup vücuttan çıktıktan sonra bir kuşa dönüşür ve yaşardı.(62)Eğer ölen insan, biri tarafından yaralanmış veya öldürülmüşse nefs bedenin yaralanan kısmından çıkmak suretiyle vücudu terk eder ve adına "hamme" denilen bir kuşa dönüşerek yaşarken (63) her yüz yılda bir mutlaka kabrinin başına döner ve "Beni sulayınız, beni sulayınız!" diyerek intikamının alınmasını isterdi. (64) İbn Side ise herhangi bir adam bir musibete uğradığı zaman başından çıkan kuşa "hamme" denildiğini söylemektedir.(65) Cahiliye Arabına göre vücuttan ayrılan ruh, önceleri kü­çücük bir kuş halinde iken zamanla büyür ve büyükçe bir baykuşa dönüşürdü. Bu kuş aynı zamanda beden ile aile arasındaki ilişkiyi de sürdürürdü. Ailenin erkek üyelerinin durumunu düzenli bir şekilde bedene ulaştırdığına da inanı­lırdı. (66) Dolayısıyla Cahiliye Arabının bu inancı zaten ölümden sonra farklı bir şekilde olsa bile bir yaşamın varlığını kabul ettiğini açıkça göstermektedir. Bilindiği gibi Hz. Peygamber birçok hadiste bu anlayışın İslam ile çeliştiğini söylemektedir. Hz. Peygamber İslam'ı tebliğ etmeye başladığı zaman Cahiliye Arapları onu sıkıştırmak için bu "hamme"yi sordukları rivayet edilmektedir. "Sana ruhtan sorarlar. De ki ruh rabbimin emrindedir. Size ondan çok az bir bilgi verilmiştir." şeklindeki İsra suresi 85. ayeti kerimesinin bununla ilgili nazil olduğu nakledilmektedir.

Görüldüğü gibi Cahiliye Arabı öldükten sonra bir yok olu­şa inanmamaktadır. Aksine ölünün bedeni terk eden ruhunun ölümsüz olduğunu, değişik bir şekilde olsa bile yaşamını sürdürdüğüne inanmaktaydılar. Bu da onların ölüm sonrası hayatın varlığına inandıklarına dair bir başka kanıt olarak karşımızda durmaktadır.

59 Cevad Ali, Mufassal, V, 1 18. 
60 Cevad Ali, Mufassal, VI, 97. 
61 Cahiliye Arabına göre kan, hayatın kaynağıydı. Ona göre kan yani dem "nefsin" ikamet mahalli idi. Bir başka ifade ile Cahiliye Araplarına göre ruhun bulunduğu mahal, kandır. Kan deveranı devam ettikçe vücutta canlılık da sürmektedir. Kan bedeni terk ettiği an beden artık ölmüş olmaktadır. (Bk. Cevad Ali. Mufassal, V, 1 17 vd; Vl, 108) Muhtemelen bu inanç bir gözleme dayanmaktadır. Zira çoğunlukla hayvancılıkla uğraş­tıkları için hayvanlarını kestikleri zaman veya yaralandıkları zaman kanlarının akmasından sonra öldüklerini görmüş ve dolayısıyla bu sonuca varmış olmalıdırlar. Yine hanımların kanama haline de buradan üretilerek "nifas" demişlerdi. 
62 Alusi, Buluğu'l-ereb, II, 311. 
63 "Mesh" yani bir başka varlığa dönüşmek Cahiliye döneminde kabul edilen bir durumdu. Nitekim İsaf ve Naile'nin insan oldukları, Kabe'nln içinde günah işlemek suretiyle taşa dönüştüklerine inanırlarken, Lat'ın da bir taşın içine girerek orada yaşamını sürdürdüğüne inanıyorlardı. 
64 Şehristiini, 433; Alusi, Buluğu'l-ereb, II, 31 l; Cevad Ali, Mufassal, Vl, 107. 
65 İbn Side, el-Muhkem, JV, 442. 66 Alusi, Buluğu'l-ereb, il, 311.


Cahiliye Arapların Ahiret İnancı
Mehmet Mahfuz SÖYLEMEZ




The Three Royal Women Recognised as "Righteous Among the Nations" by Yad Vashem

During the dark period of World War II, as Nazi and Fascist rule spread over Europe, there were thousands of people who sought to protect their fellow citizens of the Jewish faith from the persecutions that were geared at exterminating the Jewish population. Nearly six million European Jews were murdered during the Holocaust (the Shoah). Of the persons who endeavoured to protect their fellow men and women of the Jewish faith, three royal women have been recognised as "Righteous Among the Nations" by the organisation Yad Vashem in Jerusalem.

Queen Elisabeth of the Belgians (1876-1965; née Bavaria)
Recognised as Righteous Among the Nations in 1965

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From Yad Vashem:
On August 1, 1942, Queen-Mother Elisabeth of Belgium, mother of King Léopold III, welcomed representatives of the Association des Juifs en Belgique (AJB), Eugène Hellendael, Lazare Liebmann (who had taken the initiative to the meeting), and Salomon Van den Berg, into her royal palace in Brussels, which was situated almost next to the German headquarters. They told her about the atrocities that were being committed – about the imprisonment conditions in the Mechelen/Malines transit camp and about the elderly people, the children and babies who were being cut off from their families and sent to Germany. The Queen –Mother promised her visitors that she would do everything in her power to stop the arrests and to protect the Belgian Jews from deportation to Poland. Queen-Mother Elisabeth turned directly to Hitler – via the Italian royal family and the Red Cross - in order to request that Jews not be deported. In a telegram from Berlin, dated July 4, 1942, she was promised that the Jews with Belgian citizenship would not be deported or separated from their families, and that those who were under arrest in Mechelen/Malines, awaiting deportation could receive visitors. This answer was handed on to the representatives of the AJB. Baron De Streel, the Queen-Mother’s secretary, drew to their attention that they were only talking about a promise and that the Queen-Mother would continue to follow the fate of her Jewish subjects. On October 30, 1942, the Germans had arrested the children in the Wezembeek orphanage, but after Queen-Mother Elisabeth pushed the Germans on this issue, this group of children was released. In May 1943, Queen-Mother Elisabeth visited a hospital in Borgerhout (Antwerp), which apparently caused the Germans to give permission to about 80 Jewish elderly and sick to stay there. In June 1943, the Queen-Mother protested once again regarding the Belgian Jews imprisoned in Mechelen/Malines, and about three hundred of them were released at that moment. Queen Elisabeth also intervened in a number of individual cases. However, the Germans did not keep their promises: most of the Jewish with Belgian nationality were rounded up and arrested in one swoop on September 3, 1943, (“Operation Iltis”) and sent to camps. In spite of the meager results, and in spite of the fact that her intervention related to a limited number of Jews, these interventions by a member of a royal family in Europe on behalf of Jews was unparalleled. 
On May 18, 1965, Yad Vashem recognized Queen-Mother Elisabeth of Belgium as Righteous Among the Nations.

Princess Alice of Greece and Denmark (1885-1969; née Battenberg)
Recognised as Righteous Among the Nations in 1993

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From Yad Vashem:
Rescue in the Royal Palace 
Princess Alice was born in Windsor Castle in 1885, as Princess Victoria Alice Elizabeth Julia Marie. Her parents were Prince Louis of Battenberg and Princess Victoria of Hesse, granddaughter of Queen Victoria. The Princess was related to most European royal families. 
When she was a young child, her deafness was diagnosed and by the age of eight she had become a fluent lip reader. This handicap may have made her especially sensitive to the underprivileged and outcast. 
Princess Alice married Prince Andrew of Greece in 1903. The couple had five children: four daughters and a son – the future Duke of Edinburgh and consort to Queen Elizabeth II of England. 
During World War II, Princess Alice lived in the Athens palace of her brother in law, Prince George of Greece, and worked with the Swedish and Swiss Red Cross. She found herself in the difficult situation of having sons-in-law fighting on the German side and a son (the future Prince Philip) in the British Royal Navy. 
The Rescue of Rachel Cohen and her Children 
The Greek royal family had been well acquainted with the family of Haimaki Cohen, a Jew and former member of Parliament, from Tricala, in northern Greece. In 1941, when Germany invaded Greece, the family fled to Athens – then still under Italian rule, where the anti-Jewish policy was more moderate. However the period of relative saftely lasted only until September 1943, when following Italy's surrender to the Allies, the Germans occupied Athens and the hunt for Jews began. By that time Haimaki Cohen had died. His widow, Rachel, and her five children were looking for a place of refuge. The family's four sons wanted to cross to Egypt, and join with the Greek government in exile that was in Cairo. But the trip proved too hazardous for Rachel and their sister. Princess Alice heard of the family's desparate situation and offered to shelter Rachel and her daughter, Tilde, at her home. They were later joined by another son who was unable to make the journey to Egypt and had to return to Athens. 
The Cohens stayed in Princess Alice's residence until liberation. There were times when the Germans became suspicious, and Princess Alice was even interviewed by the Gestapo. Using her deafness, she pretended not to understand their questions until they left her alone. 
In January 1949, the princess founded a nursing order of Greek Orthodox nuns – the Christian Sisterhood of Martha and Mary. She decided to withdraw from the world and moved to the island of Tinos. Following the colonels’ coup d’etat in Greece in 1967 she went back to England and moved to Buckingham Palace to be close to her son and his family. She died in London in December 1969, aged 84. 
Not long before her death Princess Alice expressed the wish to be buried in Jerusalem, next to her aunt, Grand Duchess Elizabeth Fyodorovna, who, like Princess Alice, had become a nun and had founded a convent. The Grand Duchess Fyodorovna was killed during the Russian revolution and her remains were buried in the Church of Maria Magdalene in the Garden of Gethsemane in Jerusalem. In 1988, nineteen years after her death, Princess Alice’s coffin was transferred to the crypt in Gethsemane on the Mount of Olives in Jerusalem. 
In 1993 Yad Vashem bestowed the title of Righteous Among the Nations on Princess Alice. A year later, her children, Prince Philip – the Duke of Edinburgh – and Princess George of Hanover traveled to Yad Vashem and planted the tree in her honor. During the ceremony, Prince Philip said:

"I suspect that it never occurred to her that her action was in any way special. She was a person with deep religious faith and she would have considered it to be a totally human action to fellow human beings in distress."



Queen Mother Helen of Romania (1896-1982; née Greece and Denmark)
Recognised as Righteous Among the Nations in 1993

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From Yad Vashem:
Princess Elena of Greece and Denmark was born in Athens. She was the daughter of the future King Constantine I of Greece. In 1921 Elena married Romania's crown prince, who later became King Carol II. The couple had a child, Mihai (Michael), and divorced in 1928, before Carol's accession to the throne. On September 6, 1940, King Carol II was forced to resign because of his political failures. General Ion Antonescu took control of the country in an alliance with the Iron Guard. Mihai, Carol II’s 20-year-old son, was crowned, and his mother, Elena, who had been away from Romania, returned to Bucharest as the Queen Mother. Antonescu's opponents – the heads of the historical parties, the Liberal Party and the Peasant Party – maintained contacts with the royal court, as did other political and social organizations. In the summer of 1941, when the Jews of Besserabia, Bukovina and Dorohoi were de[prted to Transnistria, Rabbi Dr. Alexander Safran, the chief rabbi of Romanian Jewry, appealed to the head of the Orthodox Church, the Patriarch Nicodem. Unable to persuade Antonescu, Nicodem went to the Queen Mother, who was very moved upon hearing about the plight of the deported Jews. After turning to various influential people, the Queen Mother and the Patriarch appealed directly to Antonescu. The deportations continued, but due to the intervention of the Queen Mother, the deportation of the philologist Barbu Lazareanu was prevented. 
At the end of 1941, when news arrived of the desperate state of the Jews expelled to Transnistria, Rabbi Safran again appealed to the Queen Mother for help. She consulted with Monsignor Andrea Cassulo, the Pope’s emissary, and taking his advice, she turned to the acting prime minister, Mihai Antonescu. She persuaded him to allow the Jewish organizations to send medical aid, clothing and food to the Jews in Transnistria, who were living in ghettos and camps. The plight of the Jews was of such concern to the Queen Mother that she sent her aide, after midnight on a stormy night, to inform the chief rabbi that she had obtained approval to send them help. The help sent in 1942 saved the lives of thousands of Jews who had been deported to Transnistria. The Queen Mother continued with her efforts to prevent the deportation of Jews from the Regat (the Old Kingdom). On 30 October 1942, Gustav Richter, of Eichmann's staff, who served as expert for Jewish Affairs in Bucharest, wrote that "The Queen Mother told the King that what was happening to the people in this country was awful, that she can no longer stand this, all the more so that her name and the King's will be connected with the murders of the Jews and so she can expect to remain hin history as the mohter of "Michael the Terrible". She threatened the king in earnest that unless deportations stop immediately, she would leave the country...." 
In 1943 and early 1944, the Queen Mother contributed to the decision to allow the return from Transnistria of thousands of deported Jews, including thousands of Jewish orphans. Despite a six-month delay, caused by Adolph Eichmann’s intervention, the orphans were returned thanks to Queen Elena’s determined efforts. 
On March 11, 1993, Yad Vashem recognized Queen Mother Elena as Righteous Among the Nations.

To learn more about Yad Vashem, please visit its website: Yad Vashem - The World Holocaust Remembrance Center

E-Kitap Osmanlı Döneminde Irak

Vampirella Re Animator 2018 Sayı 4 Son Sayı

 İlk 10 gün açık ve adflylı linkler beraberce yayında olacak sonra sadece adflylı linkler kalacak. Verdiğim rahatsızlıktan dolayı şimdiden özür dilerim. Katkı yapmak isteyenler adflylı linkten indirebilirler.


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Shane Ryu
Photo Shoot Fall 2015







One Year Since The Death of Duke Friedrich of Württemberg

Friedrich of Württemberg with his Porsche 356

On 9 May 2018, aged fifty-six, Duke Friedrich of Württemberg was killed as the result of a motor vehicle accident at Ebenweiler. He was trying to pass a tractor trailer in his lane, and in this attempt he hit head-on a car in the opposite lane of traffic. Friedrich, who was driving an antique Porsche, died instantly; three persons were injured in the other vehicle.

Duke Carl of Württemberg and Princess Diane d'Orléans

Duke Friedrich of Württemberg and Princess Marie of Wied

Duke Friedrich Philipp Carl Franz Maria of Württemberg was born at Friedrichshafen on 1 June 1961 as the first child of Duke Carl of Württemberg (b.1936) and Duchess Diane (b.1940; née Orléans). Friedrich's godparents were his paternal grandfather Duke Philipp of Württemberg (1893-1975) and his maternal grandmother Princess Isabelle, Countess of Paris (1911-2003). In November 1993 at Altshausen, Duke Friedrich married his sixth cousin Princess Marie of Wied (b.1973), both parties being descendants of Fürst Friedrich Wilhelm of Nassau-Weilburg (1786-1816) and
Burggräfin Luise Isabelle of Kirchberg (1772-1827). 





During the course of their marriage, Friedrich and Marie of Württemberg had three children, one son and two daughters. The first to arrive was the son and eventual heir of House Württemberg, Duke Wilhelm (b.1994). Wilhelm was followed by two sisters, Duchess Marie-Amélie (b.1996) and Duchess Sophie-Dorothée (b.1997). 



The funeral of Duke Friedrich of Württemberg was held at Altshausen on 25 May 2018. It was attended by Duke Karl and Duchess Diane, Friedrich's siblings, King Philippe and Queen Mathilde of the Belgians, Princess Sibilla of Luxembourg, Prince Hans Adam II of Liechtenstein with his son Hereditary Prince Alois and daughter-in-law Hereditary Princess Sophie, Margrave Max of Baden, Prince Ludwig and Princess Marianne of Baden, Prince Berthold and Princess Stephanie of Baden, Duke Franz of Bavaria, Landgrave Donatus of Hesse, and Prince Georg Friedrich of Prussia - there were, of course, many other royal and noble persons present. Duke Friedrich of Württemberg was laid to rest in a private burial.

For more on the passing of Duke Friedrich of Württemberg, please visit these links:

Royal Couples That Were Not To Be: Vittorio Emanuele of Savoy & Marie Antoinette of Württemberg & Isabella of Savoy-Genoa

The Württemberg Duchess and Savoy Princess 
Who Were Linked To The Prince of Naples

A report on the Prince of Naples' purported engagement
Article (c) La Stampa
On 12 June 1967, the Italian newspaper La Stampa carried the following report:

"The promised wife of Vittorio Emanuele of Savoy finally has a face: the girl who, according to what is claimed in the circles of the international aristocracy, would be chosen by King Umberto as the future wife of his son is Marie-Antoinette of Württemberg, the seventh child of Duke Albrecht of Württemberg. Vittorio Emanuele, in view of this impending marital alliance, has definitively dissolved any sentimental relationship with Marina Dorina, agrees with his father's predilections or adheres to the arrangement for 'raisons d'État'?"

Marina Doria in 1960
Photograph (c) Alamy

Vittorio Emanuele and Marie Antoinette were fourth cousins, both being descendants of King Louis Philippe of the French (1773-1850) and his wife Princess Marie Amélie of Bourbon-Two Sicilies (1782-1866). Needless to say, the supposed engagement between the Prince of Naples and Duchess of Württemberg never materialised. Duchess Marie Antoinette of Württemberg was the youngest child of Duke Philipp of Württemberg (1893-1975) and his second wife Archduchess Rosa of Austria-Tuscany (1906-1983). Duchess Marie Antoinette of Württemberg (b.1937) never married, nor left issue, and died in 2004. She was the youngest sister of Duke Carl (b.1933), Head of House Württemberg.

Vittorio Emanuele, Prince of Naples

Duchess Marie Antoinette of Württemberg

Marie Antoinette of Württemberg with her dog

On 23 June 1967, La Stampa carried yet another story announcing a supposed royal partner for the Prince of Naples. This time the young woman in question was Princess Isabella of Savoy-Genoa (b.1943). Isabella is the only child of Prince Eugenio, Duke of Genoa (1906-1996), and Princess Lucia of Bourbon-Two Sicilies (1908-2001): she is the last living member of the Savoy-Genoa branch of the Italian royal family. Vittorio Emanuele and Isabella are second cousins once removed, both being descendants of Prince Ferdinando, Duke of Genoa (1822-1855), and Princess Elisabeth of Saxony (1830-1912).

A subsequent report on another of the Prince of Naples' alleged fiancées
Photograph (c) La Stampa

Needless to say, this particular pairing, which would have been spectacular from a dynastic point of view, did not materialise. The prince had been with his partner Marina Doria for many years, and he would never consent to give her up, not even under threat of disinheritance from his father King Umberto. Interestingly, Queen Marie José, Vittorio Emanuele's mother, seems to have not taken a stance in regards to her son contracting a marriage befitting a Head of House Savoy. King Umberto and Queen Marie José had lived largely separate lives in exile: the king settled in Portugal and the queen took up residence in Switzerland.

King Umberto II and Queen Marie José of Italy at daughter Maria Pia's 1955 nuptials

Prince Vittorio Emanuele of Savoy (b.1937) eventually married Marina Doria (b.1935). Their civil marriage took place at Las Vegas on 11 January 1970. Their religious union occurred at Tehran on 7 October 1971. A few days after their Roman Catholic ceremony, the couple attended the magnificent 2500th anniversary celebration of the Persian Empire that was held at Persepolis: the Prince of Naples was a close friend of the Shah of Iran. Vittorio Emanuele and Marina's wedding was not attended by a single member of his family. The couple has one son, Emanuele Filiberto (b.1972).

The 1971 religious wedding in Iran of the Prince of Naples and Marina Doria

Princess Isabella of Savoy-Genoa married in the same year as her cousin (and formerly rumoured fiancé). On 29 April 1971, the princess married Count Alberto Frioli (b.1943) at Lausanne. In addition to her parents, the Duke and Duchess of Genoa, the wedding was attended by King Umberto, Queen Marie José, and their eldest daughter Princess Maria Pia. Princess Isabella and Alberto Frioli have four children: Vittorio Frioli (b.1972), Maria Cristina Frioli (born and died in 1973), Carlo Albert Frioli (b.1974), and Luce Frioli (b.1978). Isabella of Savoy-Genoa resides in Brazil.

The 1971 nuptials of Princess Isabella of Savoy-Genoa and Count Alberto Frioli

The King and Queen of Italy arriving at the marriage of Princess Isabella


Next wave of star musicians announced as BBC Radio 3 reveals New Generation Artists 2019-2021

Tuesday, May 07, 2019

BBC Radio 3 has announced the seven musicians from around the world who have been selected to join its prestigious New Generation Artists scheme from 2019-2021.

The musicians joining the scheme are: pianists Eric Lu and Alexander Gadjiev, violist Timothy Ridout, mezzo-soprano Ema Nikolovska, violinist Johan Dalene, the Consone Quartet, and jazz guitarist Rob Luft.

Now in its 20th year, BBC Radio 3's New Generation Artists scheme was founded in 1999 with the aim of nurturing and promoting some of the world's best young musicians at the start of their international careers. Over the past 20 years the scheme has featured a series of major names from the world of classical music today, including violinist Janine Jansen, mezzo-soprano Alice Coote and percussionist Colin Currie.

New Generation Artists are given the opportunity to broadcast from some of the UK's most prestigious venues and festivals, make studio recordings, and collaborate with other NGAs in chamber music. Every New Generation Artist performs in Radio 3's flagship Lunchtime Concert series from Wigmore Hall and there are also opportunities to work with the BBC Orchestras, and for new music commissions.

Through supporting the brightest musicians in reaching the next stage of their careers, the NGA scheme showcases new talent to listeners across the UK through a series of BBC Radio 3 broadcasts. Over the past 20 years the scheme has supported well over 100 internationally recognised artists as diverse as pianists Igor Levit and Beatrice Rana, Andrei Ionita (cello), Lawrence Power (viola), Mark Simpson (clarinet), the Pavel Haas and Belcea Quartets, Sean Shibe (guitar), singers including Elizabeth Watts (soprano) and Ashley Riches (bass-baritone), jazz trumpeter Laura Jurd, and Gwilym Simcock (jazz piano).

Emma Bloxham, Editor, BBC Radio 3, says: "BBC Radio 3's New Generation Artists scheme offers an unrivalled platform to some of the world's most exceptional young musicians at the start of their international careers. As ever it's been a great privilege to hear the wealth of young talent out there, and I've absolutely no doubt these seven young musicians will do us proud as we celebrate 20 years of music-making at the very highest level".

Alan Davey, Controller, BBC Radio 3, says: "I'm proud of our New Generation Artists scheme and the opportunities it gives young musicians to develop and thrive. In its 20th year we have an amazing group of young artists who will change the world for the better by making great music. From a string quartet using period instruments to a prominent UK jazz guitarist, we are proud to reflect all different types of music in this year's selection. I know each will grow singly and also together, as further opportunities to record and perform allows them to fulfil their potential and build on their already considerable achievements. Welcome to the Class of 2019!"

This year's New Generation Artists will join those who began the scheme in 2018, and listeners will be able to hear from both talent pools throughout the year. The 2018-2020 New Generation Artists who will remain on the scheme for another year are: tenor Alessandro Fisher, cellist Anastasia Kobekina, the Aris Quartet, pianist Elisabeth Brauss, baritone James Newby and soprano Katharina Konradi.

The 2019-2021 New Generation Artists are:


Eric Lu, piano (USA)

Eric Lu (b. 1997, Massachusetts) first came to international attention as a prize winner at the 2015 Chopin International Competition in Warsaw aged just 17. Most recently he was awarded First Prize at the Leeds International Piano Competition in September 2018.

Eric has performed with the Minnesota Orchestra, the New Jersey Symphony Orchestra, Orchestra of the Eighteenth Century and Qatar Philharmonic, at Carnegie Hall, Alte Oper Frankfurt, Taipei National Concert Hall, Tokyo Metropolitan Hall, Auditorio Nacional Madrid and Seoul Arts Centre.

He makes his BBC Proms debut this September with the Shanghai Symphony Orchestra and Long Yu.


Alexander Gadjiev, piano (Slovenia / Italy)

Born in 1994 in the Italian town of Gorizia, very close to the Slovenian border, Alexander Gadjiev studied with his father and at the Salzburg Mozarteum with Pavel Gililov.

The winner of the 2015 Hamamatsu International Piano Competition (where he also took the Audience Prize) and the 2018 Monte Carlo World Piano Masters Competition, Alexander has performed extensively in Japan, and at many of Europe's major festivals including Verbier, La Folle Journee in France, Ravenna Musica, and Kammermusik Salzburg.


Timothy Ridout, viola (UK)

Born in 1995 in London, Timothy studied at the Royal Academy of Music, graduating with the Queen's Commendation for Excellence. He was selected by Young Classical Artists Trust in 2016 and currently studies at the Kronberg Academy with Nobuko Imai.

He was awarded First Prize in the Lionel Tertis International Viola Competition in 2016, and won the prestigious Thierry Scherz Award at the Sommets Musicaux de Gstaad in 2019.

Sought after as both a chamber musician and soloist, Timothy's collaborators have included Benjamin Grosvenor, Frank Dupree, Frans Helmerson, Christian Tetzlaff, Isabelle Faust, Pavel Kolesnikov and Kian Soltani among many others.

Upcoming engagements include a residency with the Baden-Baden Philharmonie, and appearances with the Hamburg Symphony Orchestra, Tonhalle Orchester Zurich, Orchestre de Lille, Camerata Salzburg, Philharmonia Orchestra and Chamber Orchestra of Europe.














Consone Quartet (UK)

Agata Daraskaite, violin | Magdalena Loth-Hill, violin | Elitsa Bogdanova, viola | George Ross, cello

Formed at the Royal College of Music in London, the Consone Quartet is dedicated to exploring Classical and Early Romantic repertoire on period instruments. The winner of the 2016 Royal Overseas League Ensemble Prize, the Consone Quartet was also awarded two prizes at the 2015 York Early Music International Young Artists Competition, including a place on the "EEEmerging" – Emerging European Ensembles Scheme – associated with the Ambronay Festival in France and six other early music festivals across Europe.

Recent highlights include an acclaimed debut at London's Wigmore Hall as well as performances at Cadogan Hall, the Queen's Gallery at Buckingham Palace, and at the Cheltenham Festival. The Consone Quartet is rapidly gaining international recognition, performing extensively in Europe. They also toured South America last year.


Johan Dalene, violin (Sweden)

Aged just 18, violinist Johan Dalene (Norrköping, 2000) is already making an impact on the international music scene, performing with leading orchestras and in important recital halls both at home in Sweden and abroad. He was also recently awarded First Prize at the prestigious 2019 Carl Nielsen Competition.

In 2018, Johan was accepted on to the Norwegian Crescendo programme, as part of which he has worked closely with mentors Janine Jansen, Leif Ove Andsnes and Gidon Kremer. Johan will also appear on stage with Janine Jansen and other members of the programme at the Wigmore Hall in November 2019.

Upcoming engagements include performances with all the major Scandinavian orchestras as well as debuts with both the Leipzig Gewandhaus Orchestra and the New Japan Philharmonic. Johan has also been invited to be an Artist in Residence with the Swedish Radio Symphony Orchestra from 2020-2021.


Rob Luft, jazz guitar (UK)

Twenty five year-old jazz guitarist Rob Luft (b. 1993, Sidcup, London) has already been nominated for a string of awards, including 2018 Breakthrough Act and Instrumentalist of the Year in 2019 at the Jazz FM Awards and Instrumentalist of the Year in the 2018 Parliamentary Jazz Awards.

Concert highlights for Rob have included performances with artists including Django Bates, Iain Ballamy, Loose Tubes, and Laura Jurd's band Dinosaur. As well as leading his own quintet, Rob collaboratively runs several other projects, including a duo with the Albanian jazz/folk singer Elina Duni, a mainstream jazz quartet with Dave O'Higgins playing the music of Thelonious Monk and John Coltrane, and the nuevo tango quintet Deco Ensemble.

Rob is also a regular member of a multitude of some of London's finest modern jazz groups, such as Byron Wallen's Four Corners, Eddie Parker's Airborn, and the Chris Batchelor / Steve Buckley quintet.


Ema Nikoslovska, mezzo-soprano (North Macedonia / Canada)

Ema is the recipient of many prizes, including the Guildhall Wigmore Prize, the 2018 Susan Longfield Prize, and First Prize as well as the Audience Prize at the 25th Maureen Lehane Vocal Awards. She is currently studying on the Opera Course at the Guildhall School of Music and Drama with Professor Rudolf Piernay.

Notable performances include recitals and masterclasses at the Toronto Summer Music Academy and Festival, Thomas Hampson's Heidelberger Frühling Lied Akademie, a recital with Malcolm Martineau in Berlin's Pierre Boulez Saal, and a performance of Ligeti's Síppal, dobbal, nádihegedüvel for mezzo and percussion ensemble at Milton Court Concert Hall for the BBC Symphony Orchestra's Ligeti Total Immersion Day, broadcast on BBC Radio 3.

Ema's upcoming engagements include her debut recital at Wigmore Hall with pianist Dylan Perez later this month, Verbier Festival Academy's Atelier Lyrique, Kaija Saariaho's Creative Dialogue XI symposium Concert in Finland in August, a recital of French art song with pianist Joseph Middleton for Northern Ireland Opera's Festival of Voice in Glenarm (broadcast on Radio 3), and a recital with pianist Gary Beecher at the Oxford Lieder Festival.

















New Generation Artists is a scheme run by BBC Radio 3 which offers listeners access to the very best young international talent. The scheme was launched in 1999.

Every autumn, six or seven artists or groups who are beginning to make a mark on the international music scene are invited to join the NGA scheme. They are given the opportunity broadcast from some of the UK's most prestigious venues and festivals, as well as make appearances and recordings with the BBC orchestras and studio recordings for BBC Radio 3.

New Generation Artists have featured in some of Britain's most prominent festivals, including BBC Proms, the EFG London Jazz Festival, Aldeburgh Festival, Cheltenham Festival and Edinburgh International Festival.

In partnership with the Royal Philharmonic Society, Radio 3 has commissioned a number of works for New Generation Artists, from composers including Simon Holt, Geoffrey Burgon, Augusta Read Thomas, Karin Rehnqvist, Mark-Anthony Turnage and Alexander Goehr.

Source: bbc.co.uk

More photos

The History of the David Eastburn Farm

David Eastburn
When I first started writing this blog nearly a decade ago, I basically just went around and wrote about whatever seemed interesting to me in the moment. I had to think about and decide what my next topic would be. Nowadays, though, it's much more common to have the topics come to me, often stemming from contacts with readers. This particular subject, like the previous one (The Huston-Springer Houses), started with an email from the current owners of the home. In this case, it's the beautiful Italianate-style David Eastburn House on Corner Ketch Road between Paper Mill Road and Doe Run Road. I did a post about it back in 2011 wherein a gave a rough outline of the history of the property and David Eastburn himself, as best as I could determine at the time.

Well, as I stated in the Huston-Springer post, I have a lot more data at my disposal now. Prompted by the contact from the owner, I went back and was able to come up with a much more detailed history of the property, both before, during, and after David Eastburn's tenure there. So much detail, in fact, that I hardly know where to start. So let's start with David, almost certainly the builder of the house but not the first resident of the land. When I asked the current owner what he had heard of the house's history (always a crapshoot because you never know what kind of information has been kept and passed down with a property), he said he'd been told that it was originally owned by several siblings. I'm glad to say that in this case at least, the information seems to be correct.

In the original post, I make no mention of the property and only passingly state that the house was built in the 1850's, possibly around the time of David's wedding in 1857. The reality is so much more complicated than that, but I'll try to keep it as concise as I can. The first thing to understand is that the farm David Eastburn owned at his death in 1899 was acquired in four separate tracts, going from west to east. The four parcels (which I'll call Tracts 1-4) can be seen in the diagram below. My lines may not be accurate down to the foot, but they're pretty close. The house is denoted with a star and is located in Tract 1, the largest of the tracts and the first one acquired by the Eastburn family. And to circle back, it was acquired by the family.

The four tracts that comprised the David Eastburn Farm

In September 1847, Joseph S. Gilbert sold 48½ acres (we'll get back to just how he came to own this land) to Elizabeth Eastburn and four of her children -- David, Samuel, Margaret, and Oliver. Oliver sold his share to the others in 1850. Then, in February 1857, David bought out the other three to consolidate ownership of the property. On the very same day, he purchased Tract 2 from Matthew Lockard and sold back his share of the home farm. And as I noted in the first post, I have every reason to believe all this was related to David's wedding, which would occur only about six weeks later.

I'm still not exactly sure what was happening on Tract 1 during those first 10 years, but my best guess is that it was being leased to a tenant farmer (David, Margaret, and Samuel were all listed on the home farm in 1850). The stone barn was thought to have dated to the 1820's, but David's Italianate style house was very much of the 1850's. I assume that there was either an older (probably frame or even log) house that he removed, or perhaps the very old stone house just to the southeast served as the farm house. Although the Eastburns only purchased the tract in 1847, its history goes back much further.

What would become our Tract 1 began as part of a larger, 200 acre tract laid out for John Jones by the Penns, which he sold to James Kerr in 1732. In 1739 Kerr sold the property to Hugh McWhorter. McWhorter died in about 1790, and in 1794 his executors sold the tract to Joseph Burns. Burns sold the whole 200 acres to Thomas McDowel in 1803. It was McDowel who created our tract, selling 48 acres to Charles Stewart in 1809. Stewart sold five years later to William Moore, who sold the tract in 1818 to William Little. If the approximate date of 1820 is correct for the barn, it would then have been William Little who erected it.

Beginning of the 1847 sale from Gilbert to the Eastburns

Little died in 1830, and his will devised the land to his daughter, the widow Sarah Howell. Here's the part of the story (and there always seems to be one) that I don't quite understand. Beginning in 1842, the tract changed hands several times. Sarah remarried to a George Abbot, and it looks like it was sold to Matthew Lockard to pay Abbot's debts. Then it seems to have been sold again to Joseph S. Gilbert in 1847. Gilbert was a son-in-law of Sarah Howell, and her other two children also sold whatever rights they still had to the land to Gilbert the same year. The point of it all is that Gilbert had full possession of the 48½ acres to sell to the Eastburns. But that was only one of the four tracts (albeit arguably the most important, since it was the first and largest, and would contain the house).

Tract 2, while being smaller at only 20 acres, has its own interesting twist. David Eastburn purchased it from Matthew Lockard (the same one who had briefly owned Tract 1) in exchange for another lot that Eastburn owned down by White Clay Creek Presbyterian Church. Lockard had purchased the tract in 1831 from executors of the estate of Francis Gregg. Gregg was, in parlance of the time, a Coloured man. He had purchased his farm from the same Thomas McDowel who also created Tract 1, and was listed as a neighbor on the 1809 sale of Tract 1. And bear in mind, Gregg was living as a free black man at a time when slavery was still legal in Delaware. It was not common in New Castle County, but it was not unheard of.

Somehow not surprisingly, Tract 2 is the only one without specific metes and bounds listed -- it states only the names of three adjacent landowners and the road, as well as the acreage. Also unsurprisingly I was unable to find anything more about Francis Gregg. The only possible clue is that on subsequent deeds for Tract 3 (which bounds 2 on the northeast), Tract 2 is stated as being owned by Chloe Gregg (coloured woman), then Cloe Gregg (coloured woman), and finally Cole Gregg (Colored man). The first one, with Chloe Gregg, is recorded after Francis' death but before the sale to Lockard. My guess is that Chloe Gregg was probably the widow or maybe the daughter of Francis, but may not have been able to inherit or own land herself. Since later deeds normally just use descriptions from previous ones, I think a game of "Telephone" took place here and "Chloe" became "Cloe" became "Cole".

Speaking of Tract 3, this roughly triangular lot was the first one Eastburn acquired after living on his farm a few years, and at 17 acres was the smallest of the four. Like the others, it began as part of a larger tract, acquired in 1797 by William Morgan. The earlier history of the tract takes up about 3 large pages in the 1797 deed, and I'll be honest and say I'm not even going to try to make sense of it. William Morgan created our Tract 3 when he sold it to James Hollen in 1831. Hollen's heirs sold it in 1849 to Jonathan R. Fowler, who sold it in 1853 to Joseph Gauk Rodger. In 1861, Sheriff Levi B. Moore (who lived directly across Corner Ketch Road) sold the tract to David Eastburn to pay off Rodger's debts.

Tract 4, the westernmost and final tract acquired here by David Eastburn, is a 42 acre vaguely (in my opinion) coffin-shaped lot purchased in 1881 from Mary McDaniel. Mary was the unmarried daughter of John McDaniel, whose house stands in Meadowdale, on the east side of North Star Road. After John McDaniel's death in 1858, his widow and children leased the farm and by 1881 decided they no longer needed this portion of the property. It then became the last piece of the puzzle that made up the David Eastburn Farm.

The David Eastburn House in 1986

As for the fate of the farm after David's death in 1899, I was pretty much on the right track in the original post. In his will, David devised the farm to his niece's son, Wilmer E. Fell (son of Elizabeth Eastburn Fell, daughter of David's brother Amos). When Wilmer died in 1941 leaving no children, the farm was sold to Harry Emerson Eastburn. Harry was the great-grandson of Isaac Eastburn, another of David's brothers. Although he didn't live there, Harry Eastburn owned the farm up until its sale to developers in 1988. At least as late as 1986 it was still an active, working farm, although by that point all but about 32 acres had been sold off.

The development of Cotswold Hills was built behind the house, and the house itself was sold to owners who are still in the home today. The current owners have done a fantastic job of taking care of this beautiful home -- a home that has really only had four owners from two families (not counting the developer) over the past 162 years. The house is a wonderful reminder of the hidden complexity of Mill Creek Hundred's agricultural past.