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Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ]

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Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ]

Dolittle (2020 Film)

IMDb Ratings: 5.9/10

Quality: 480p | 720p | 1080p (HD)
Language: Hindi Dubbed (Cleaned HQ Audio)

Director: Stephen Gaghan
Stars: Robert Downey Jr., Antonio Banderas, Michael Sheen
Genres: Adventure | Comedy | Family | Fantasy
Dolittle is an 2020 fantasy adventure film, It is the Reboot of Doctor Dolittle film series .

” Dr.Dolittle 2020 In Hindi | FREE DOWNLOAD | TORRENT | #Dolittle | WEB-DL | DD5.1 | H264 | MP4 | 720p | DVD | Bluray.“

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Dolittle Hindi Dubbed. Movie Now Playing In Theaters With #Hindi, #English. #Dolittle #HindiCover, Robert Downey Jr #RDJ #TomHolland #JohnCena

Dolittle (2020) Hindi Dubbed | On IndianoMovies
Storyline / PLOT:
Dolittle (Movie) Dual Audio Hindi : Dr. John Dolittle lives in solitude behind the high walls of his lush manor in 19th-century England. His only companionship comes from an array of exotic animals that he speaks to on a day to day . But when young Victoria becomes gravely ill, the eccentric doctor and his furry friends start an epic adventure to a mythical island to seek out the cure.

Dolittle 2020 In Hindi (Dual Audio) On IndianoMovies | Dolittle Out Now in India in English, Hindi
Dolittle is a 2020 American fantasy adventure film directed by Stephen Gaghan, from a screenplay by Gaghan, Dan Gregor and Doug Mand and a story by Thomas Shepherd. A reboot of the Doctor Dolittle films, the film is based on the titular character created by Hugh Lofting, and primarily inspired by The Voyages of Doctor Dolittle. Robert Downey Jr. stars as the title character, alongside Antonio Banderas and Michael Sheen in live-action roles; the voice cast includes Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, Octavia Spencer, Tom Holland, Craig Robinson, Ralph Fiennes, Selena Gomez, and Marion Cotillard.

Dolittle 2020 – Movie Review:
Dolittle may be a remake/reboot of the Dr Dolittle that has been done repeatedly by many various people. this point the Animal whisperer doctor is played by Robert Downey Jr. one among my favorite parts of this film is Antonio Banderas, his performance is extremely good for what he has got to work with. RDJ does an honest job during this movie, but I felt sometimes his accent was a touch weird and it wasn’t always consistent throughout the movie.This film is extremely cliche and therefore the story goes almost exactly where you’d expect it to travel , and may be a perfect January movie release, as I watched I almost felt as if i used to be watching a Disney Channel movie.

-SCREEN SHOTS-

Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ] Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ] Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ] Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ]

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Dolittle (2020) Hindi 720p HDRip [ हिंदी DUB (Cleaned) | Full Movie ]

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Book Your Place at the Royal Gatherings in London 2020: April 18-19!


Dear All,

This year’s Royal Gatherings in London will take place on 18th & 19th April 2020.

As usual it will take place in the auction room of Spink at 67-69 Southampton Row, Bloomsbury, London, WC1B 4ET.

Here is the list of who will be speaking at the conference :-

Hugo Vickers -- Departing Dukes: Windsor (1936) & Sussex (2020)
Susan Symons -- Schlößer in South Germany
Martyn Downer -- Sir Howard Elphinstone: "The Queen's Knight"
Coryne Hall -- Sixty Years of Mutual Mistrust: Queen Victoria's relationship with the Romanovs and Russia
Seth B. Leonard -- At Peace at Last: Royal Reburials
Gert-Juergen -- Schloß Glücksburg and the House of Glücksburg
Colin Parrish -- Princess Elizabeth: The Artistic Daughter of George III
Seth B. Leonard -- Children of Umberto II and Marie José
Bobby Golden -- English Royal Funerals
Arturo Beeche -- Louis XIV's Legitimated Sons

To book your place please email me at aebeeche@mac.com.

The cost in Sterling is £140 to include lectures plus tea & coffee.

Whilst in London, you might also want to take the opportunity to see the exhibition “George IV: Art & Spectacle” at The Queen’s Gallery next to Buckingham Palace.

Best wishes,

Arturo

_____
Arturo Beéche, Publisher
The EuroHistory Journal
Kensington House Books
6300 Kensington Avenue
East Richmond Heights CA 94805-1618
Phone: 510-236-1730
aebeeche@mac.com

A Sherlockian and His Pipes

Al Shaw, pipe smoker and master Sherlockian 
Al Shaw, BSI, is the new Master of the Hounds (i.e., leader of the pack) for the Hounds of the Baskerville (sic), founded in Chicago by the legendary Vincent Starrett in 1943. He is also Sir Hugo of another Windy City group of Sherlockians, Hugo’s Companions. And on March 28, he will be one of the presenters at the Holmes, Doyle, & Friends conference in Dayton, OH. Al is a great friend of mine, and one of the wittiest people I know. You should know him, too.   

How and when did you first meet Sherlock Holmes?

Ahh, the implication here is that there is some seminal moment when we bump into the master detective coming out of a yellow Victorian fog and exclaim, “Who is this guy?! I must know more.”

I suspect the reality is not that simple. Growing up in the 20th century I, like all of you, have always known of Holmes as he is part of our culture. When we are kids, we see Mikey Mouse, Goofy and even Popeye sporting deerstalkers, smoking a pipe, and being “detectives.”  When we are older, he is still there in Classics Illustrated and even Batman comics. In school, the odds are one of the first pieces of literature we read will probably be a Holmes story. 

Still, there was one encounter that motivated me to read all the stories, to take that Doubleday volume of complete stories and read it through. I was 16 years old and working till closing time at a drug store on weekends. When I would come home, I was too wired to go right to sleep. I would turn on the TV for a while and there were late night showings of Sherlock Holmes films each Friday night. It should be noted that this was the same year that I had begun smoking a pipe.  That was how Basil Rathbone went, for me, from Guy Gisborne to the quintessential Sherlock Holmes.

How and when did you become a Sherlockian?

First, for me, being Sherlockian means the desire to revel in the Canon and the Victorian setting therein. There are moments when one transitions from “a guy reading the Sherlock Holmes stories” to being a “Sherlockian” – a student of the canon.

The 1960’s had just ended. My brother was in the Peace Corps in Africa. He took only one book with him – The Complete Sherlock Holmes. In those days, the Peace Corps (and sometimes the government) would open your mail.  So, my brother wrote to me in the dancing men cypher so that our letters would not be understood by others.  This rekindled my interest and Sherlock Holmes.

My interest in Holmes was further sparked by another event.  In 1971, Hugo's Companions, a Scion society of the Baker Street Irregulars, was featured in an article in the Chicago Tribune.  They posted a notice that they were hosting their annual birthday party for Sherlock Holmes.  I decided to attend and my reservation was graciously accepted. The dinner was a very formal affair, with everyone in jackets and ties or dresses.  This was my first experience with a large group of people with a common interest. It was also my first experience with a group of Sherlockians “playing the game.” The members, recognizing me as new, greeted me warmly. It was then that I became aware of the term “Sherlockian” and realizing that I had been one for quite some time.

What has it meant to you to be part of the Sherlockian community?
The interaction with various scions and Sherlockians has been a golden thread woven throughout most years of my life. The first time my son, as a child, was invited to a costume party, he decided we should attend as Sherlock Homes and Sherlock Jr. (not Buster Keaton for the erudite among you). It has been there for me through multiple marriages, moves, and jobs. As I have stated elsewhere, during those years, I have had the privilege to walk among Sherlockian Giants.

You’ve been a Sherlockian a long time. What are one or two of your fondest Sherlockian memories?

My first meetings in 1971 of Hugo’s Companion, when I formed my “Theory of Determining the age of a Sherlockian by their Choice of Favorite Sherlock Portrayal.” I mentioned to someone sitting next to me that I thought Basil Rathbone portrayed the quintessential Sherlock Holmes. The retort was, “Ellie Norwood was the best homes in film.” Who the hell was Norwood? I was to find out that Sherlockians in every generation chose their own Holmes as portrayed on film or television, and, if you knew who their favorite Holmes was, the odds were that you could guess their age better than a carnival conman could.

In those early meetings, one would little suspect the day-to-day identity of the person you sat next to. Some examples:

John Nieminski.  John, I later discovered, was manager of the Midwest Regional Office of the U.S. Civil Service Commission offices. He authored The Hounds of the Baskerville (sic): A History of Chicago’s Senior Sherlockian Scion Society, 1943-1983.  He twice co-chaired the annual Bouchercon (the national Anthony Boucher Memorial Mystery Convention). Mystery scholars prized his notable bibliographies of Ellery Queen Mystery Magazine (1974) and The Saint Mystery Magazine (1980), He co-founded the quarterly Baker Street Miscellanea. (He was primarily responsible for publishing my previously referenced paper in said Miscellanea).  John also compiled histories of Sir Arthur Conan Doyle’s visits to Chicago in 1894 and the 1920s. He authored “Sherlock Holmes in The Tribune.”

Dick Olberg was a French Horn player in the Chicago Symphony.

Ely Liebow. He was Chairman of the English Department at Northeastern Illinois University. It turns out that Ely took part in the historic 1965 Selma Alabama march! In 1982, Ely presented me with one of the first copies of his book Dr. Joe Bell: Model for Sherlock Holmes

Dave Stevens was an editor for Playboy! (A magazine, which at the time, to which I faithfully subscribed for the fine articles).

Jay Marshall from his TV show, “The Magic Ranch.  Jay appeared on the “Ed Sullivan Show” fourteen times. 

Nieminski and Liebow came up to me after my first meeting. John said, “Let me buy you a drink. We expect you to sit with us at the next meeting.” 

What Sherlockian groups do you belong to?

The Baker Street Irregulars, Hugo’s Companions, The Hounds of the Baskerville (sic), The Criterion Bar Association, The Torists International, and 140 Varieties of Tobacco Ash. Any others that I may have omitted are strictly due to failing memory.

Your topic for the Dayton conference is pipes in the Canon. Tell us a little about your fascination with pipes and your involvement in the pipe-collecting community.    

On my 16th birthday I am known, in some circles, as not only the guy who reads, but the guy who reads Sherlock Holmes. My dad comes into my room with the box and he says “You’re 16 years old now. I would rather not have you smoke cigarettes.”

I open the box and inside is a pipe. It is a “Yellowbole Thorn.” There is a box of tobacco called “Cherry Blend,” a particularly nasty blend available in drug stores at the time. My dad says, “When you smoke a pipe you do not inhale.”  My dad, himself was “Kaywoodie” pipe man as was his father before him. This was the most expensive brand of pipe sold at Walgreen’s drug stores.  I have related in articles and monographs elsewhere, many of the shapes and materials that we associate with Sherlock Holmes are available today or were indeed available to Holmes during his time. I have endeavored over the years to acquire many examples of these pipes both modern and antique.  I belong to the Chicagoland Pipe Collectors. We put on the largest pipe collectors show in the country each spring.  Holmes just seems to read infinitely better when smoking a pipe and creating my own “Yellow Fog.”

Besides Holmes, Doyle, & Friends, what other major Sherlockian events are on your calendar this year?   

It is actually my plan to cut back a bit this year. In the past I have gone to the Norwegian Explorers event, BSI in NY of course, and numerous events hosted by The Illustrious Clients in Indiana.  This year it is my intention to limit myself to mostly local Chicagoland gatherings.

What question haven’t I asked you that I should?
Pizza… Chicago or New York?

You can still register here to take part in Holmes, Doyle, & Friends on March 28,with an opening reception on March 27.  
10. Sınıf  Türkiye'nin su kaynakları sunuları 10. sınıf menüsüne eklendi
10. sınıf Yeyüzünde su kaynakları konusu 10. sınıf menüsüne eklendi

György Ligeti: Violin Concerto – Christian Tetzlaff, Gürzenich-Orchester Köln, François-Xavier Roth (HD 1080p)














German violinist Christian Tetzlaff performs György Ligeti's Violin Concerto with the Gürzenich-Orchester Köln under the baton of the French conductor François-Xavier Roth. The concert was recorded at Cologne Philharmonie, Cologne, Germany, on October 3, 2017.



In the canon of great composer-portraits (Opmeer's Josquin, Delacroix's Chopin, Picasso's Stravinsky), there's a lesser-known but absolutely brilliant painting of György Ligeti by Aliute Meèys. In it Ligeti is falling apart, many times in many ways: there's actually about five impeccably illustrated Ligetis, all cardboard placard-peers clad in ruffled green suits, with gray hair and worried looks, each about to topple over or crack in half – and each barely being held in place by one another amidst rocky ruins. Meèys' portrait would just be a joke – "Ligeti split" – if it didn't look so much like Ligeti's music sounds: both have that same polyrhythmic track of hysteria and precision, humor and disaster, webbed into a kind of recognizable, exact chaos.

Ligeti's Concerto for Violin and Orchestra from 1992 is a relatively late work, but in many ways it's the brother of Meèys' portrait: its five movements have the same quality of falling apart into fantastic ruin, and each also gleams with the immaculate shimmer of carefully crafted illusions. Like the painting, this concerto is a desperate but tragic essay in keeping it together. At the compositional stage, Ligeti eventually conceived a walloping eight-movement scheme, but half in fragments. The final solution yielded a rhetorical stroke of genius: violinist Gawriloff collaged the scraps of the unwritten movements into a wild finale-cadenza; coming after waves of seriocomic catastrophes, it suggests a tramp scrambling from the mouth of banal death – old-style Paganinian virtuosity wearing musical hand-me-downs.

But this schizoid flavor also constitutes the sound of the concerto as well, which radiates layered skins like a sonic onion. The polymeters so characteristic of Ligeti's music from the 1980s onwards are brazenly present, especially in the concerto's first and final movements. Here the soloist is often lost in an illuminated mirrored hall, surrounded by musical doppelgangers moving at different speeds. Ligeti adds to the rhythmic and timbral layeredness an extraordinary mis-tuning of the ensemble; among other examples, a violin and viola must de-tune their strings to the natural harmonics of the double bass. The effect, amidst a harmony calculated to sound neither tonal nor atonal, manifests Ligeti's wish for a "glassy shimmering character" emanating "fragility and danger".

The second movement is another of Ligeti's mock-folk pieces, thirsting after the anonymous sincerity of Eastern European peasant song, but continually splintering into weird ironic homelessness; interspersed with botched variations of a modal melody Ligeti inserts delusional passages for ocarinas. The fourth movement's passacaglia is a terrifying tightening of the screw, its "Lento intenso" witnessing the slow rise of a chromatic scale through the entire ensemble; a procession of fearful quiet and violent outburst force a gravity on the whole work, turning surreal play into a sincere anxiety. The final movement's caustic, ruinous humor barely alleviates this new darkness, and by the time of the violinist's histrionic soliloquy, one gets the pervasive sensation that all is lost. But the effect is far more provocative than depressing, basking in paradox: how can something so radiant also be so black?

Source: Seth Brodsky (allmusic.com)



György Ligeti (1923-2006)

♪ Violin Concerto (1993)

i. Praeludium: Vivacissimo luminoso – attacca
ii. Aria, Hoquetus, Choral: Andante con moto – attacca
iii. Intermezzo: Presto fluido
iv. Passacaglia: Lento intenso
v. Appassionato: Agitato molto

Christian Tetzlaff, violin

Gürzenich-Orchester Köln
Conductor: François-Xavier Roth

Cologne Philharmonie, Cologne, Germany, October 3, 2017

(HD 1080p)















Christian Tetzlaff has been one of the most sought-after violinists and most exciting musicians on the classical music scene for many years. "The greatest performance of the work I’ve ever heard", wrote Tim Ashley (The Guardian, May 2015) of his interpretation of the Beethoven Violin Concerto with the London Symphony Orchestra and conductor Daniel Harding.

Concerts with Christian Tetzlaff often turn into an existential experience for both the interpreter and the audience; suddenly old familiar works appear in a completely new light. In addition, he frequently turns his attention to forgotten masterpieces such as Joseph Joachim's Violin Concerto which he successfully championed, and he also attempts to bring important new works into the repertoire such as Jörg Widmann's Violin Concerto, which he premiered in 2013. He has an unusually extensive repertoire and performs approximately 100 concerts every year.

Born in Hamburg in 1966 and now living in Berlin with his family, there are three things that make this musician unique, aside from his astounding skill on the violin. He interprets the musical manuscript in a literal fashion, perceives music as a language, and views great works as narratives which reflect existential experiences. As obvious as it may sound, he brings an unusual approach in his daily concert routine.

Christian Tetzlaff tries to follow the manuscript as closely as possible – without regard for "performance tradition" and without indulging in the usual technical short-cuts on the violin – often allowing a renewed clarity and richness to arise in well-known works. As a violinist Tetzlaff tries to disappear from the music – paradoxically this makes his interpretations very personal.

Secondly, Christian Tetzlaff "speaks" through his violin. Like human speech, his playing comprises a wide range of expressive means and is not aimed solely at achieving harmoniousness or virtuosic brilliance.

Above all, however, he interprets the masterpieces of musical history as stories about first-hand experiences. The great composers have focused on intense feelings, great happiness and deep crises in their music; as a musician Christian Tetzlaff also explores the limits of feelings and musical expression. Many pieces deal with none other than life and death. Christian Tetzlaff's aim is to convey this to his audience.

Christian Tetzlaff played in various youth orchestras for many years. His teacher at the Lübeck University of Music was Uwe-Martin Haiberg, for whom musical interpretation was the key to mastering violin technique, rather than the other way round.

Christian Tetzlaff founded his own string quartet in 1994, and until now chamber music is still as important to him as his work as a soloist with and without the orchestra.

The Tetzlaff Quartett received the Diapason d'or in 2015, and the trio with sister Tanja Tetzlaff and pianist Lars Vogt was nominated for a Grammy award. Christian Tetzlaff has also received numerous awards for his CD recordings, including the "Jahrespreis der Deutschen Schallplattenkritik" in 2018, the "Diapason d'or" in July 2018 and the Midem Classical Award in 2017. The new  Ondine recording of Beethoven and Sibelius violin concertos with the Deutsches Symphonie-Orchester Berlin and Robin Ticciati is highly anticipated in autumn 2019.

Of special significance is his solo recording of Bach's Sonatas and Partitas, which he has recorded for the third time and was released in September 2017. The Strad magazine praised this recording as "an attentive and lively answer to the beauty of Bach's solos".

Christian Tetzlaff plays a violin made by the German violin maker Peter Greiner and teaches regularly at the Kronberg Academy.

Source: christian-tetzlaff.de



















































More photos


See also


Karol Szymanowski: Violin Concerto No.1 – Christian Tetzlaff, Helsinki Philharmonic Orchestra, Susanna Mälkki

Ludwig van Beethoven: Violin Concerto in D major – Christian Tetzlaff, NHK Symphony Orchestra, Paavo Järvi (HD 1080p)

Christian Tetzlaff: “I think Sibelius did for his century what Beethoven did for his”

Joseph Lee

Joseph Lee
Olympia Competition Fall 2019







Drakula Biraderler 4






Kısmen Bizim tarihimizle de çakışan bir çizgiroman Drakula Biraderler. Bugünkü Romanya sınırları içinde kalan Transilvanya Bölgesi ve Kazıklı Voyvoda'nın memleketindeyiz. O zamanki adı Mehmet ve daha sonra Fatih Sulatan Mehmet adını alacak tarihimizin deha seviyesindeki padişahlarından biri ile yerel Voyvodanın Osmanlı'ya rehin bırakılan oğlu. Elbette vampirler. Bakalım ne olmuş, okuyalım ve görelim.


Reklaml a ra tıklamak ya da adflylı linkten indirme yapmak gibi katkılarınızı beklediğimi belirtirim. Reklamlardan kazandığım ile, bu hızda giderse ayda 3 tlden on ay sonra bir öğle yemeği yemeyi umduğumu bilmenizi isterim, yanında tatlı da yok. Neyse, buraya kadar okuduysanız bile teşekkürler.





Sayı 4






Sayı 4

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Majili Latest 2019 Telugu Movie ft. Naga Chaitanya, Samantha Akkineni, and Divyansha Kaushik. The Cricket based Romantic Drama film is Directed by Shiva Nirvana. Music by Gopi Sundar. Produced by Sahu Garapati and Harish Peddi under Shine Screens. #MajiliTrailer #NagaChaitanya #Samantha #Majili #Divyansha #GopiSundar #ShivaNiravana #NC17 #ChaySam4 #MajiliMovieTeaser #MajiliOfficialTrailer

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Cast: Naga Chaitanya, Samantha, Divyansha Kaushik, Rao Ramesh, Posani Krishna Murali, Subbaraju, Rajasri Nair
Story, direction: Shiva Nirvana
Producers: Sahu Garapati and Harish Peddi
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DOP: Vishnu Sarma
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Majili (2020) Hindi Dubbed 720p HDRip 1GB Download

IMDB Ratings: 7.2/10
Directed: Shiva Nirvana
Released Date: 4 April 2019 (USA)
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IMDB Ratings: 7.2/10
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Movie Quality: 480p HDRip
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