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Victor Joel Rea Cano (also known as "Victor Rea") was born in 1976 and he is from Leon, Mexico. He has always been an amateur bodybuilder and he made the decision to become a competitive athlete. He got the IFBB Pro Card at the age of 40yo after some years of work and persistence.
Country: Mexico Birthdate: 1976 Height:174cm/5'9'' Off season weight: 120kg/265lb Competition weight: 102kg/225lb
Magic Order iyi büyücüler ve bu iyi büyücülerden ayrılıp kötü tarafa geçen büyücüler arasındaki mücadeleye odaklanan sonu gayet sürprizli, içinde evladını kaybeden bir baba ve onun acıları ve bir de bir kitap var. Bu kitap üstün güçlere sahip olmak isteyenlerin hedefindedir. Babasında bulunduğu için bu kitabın kendinin olmasını, kendisine miras kalması gerekir diyen kötü bir büyücü var.
İyi büyücülere tek tek suikast düzenlenmektedir. Nihai hedef iyi büyülerin lideridir. Okuyoruz efendim.
Beykoz Ormanları'nın içinde ailenizle ve arkadaşlarınızla gidebileceğiniz, özellikle çocuklu aileler için harika bir önerim olacak size. Üstelik burası, Türkiye'nin ilk tropikal kelebek cenneti. Daha önce böyle bir yerin varlığından açıkcası haberdar değildik! Arkadaşlarımızın tavsiyesi üzerine yakın bir tarihte ziyaret ettiğimiz 'İstanbul Kelebek Çiftliği'nde her şey ince detayına kadar
Grand Duke Ernst Ludwig, Grand Duchess Eleonore, and Hereditary Grand Duke Georg Donatus and Prince Ludwig
The Grand Duke and Grand Duchess of Hesse and by Rhine with their two sons
Eleonore with Georg Donatus and Ludwig
Prince Ludwig Hermann Alexander Chlodwig of Hesse and by Rhine was born on 20 November 1908 as the second son of Grand Duke Ernst Ludwig of Hesse and by Rhine (25 November 1868–9 October 1937) and his second wife Grand Duchess Eleonore (17 September 1871–16 November 1937; née Solms-Hohensolms-Lich). Ludwig joined an older brother, Hereditary Grand Duke Georg Donatus (8 November 1906–16 November 1937). From his father's first marriage to Princess Victoria Melita of Saxe-Coburg and Gotha (1876-1936), Ludwig had one half sister, Princess Elisabeth (1895-1903), who he never met as a result of her untimely death.
Prince Ludwig of Hesse and by Rhine
Together with his brother Georg Donatus, who was two years older, Prince Ludwig grew up alternately at Schloß Wolfsgarten and the Neuen Palais in Darmstadt. At the time of the First World War, he began to be privately tutored. Ludwig, in the family circle called "Lu," was like his brother almost entirely educated at home. Ludwig finished his primary studies in 1926. Then Ludwig went on to study archeology and art history with a specialisation in ornamentation at the Universities of Darmstadt, Lausanne and Munich.
Announcement of the Hesse/Geddes engagement on 17 July 1937
Prince Ludwig and his fiancée the Hon. Margaret Geddes
Report on the death of Grand Duke Ernst Ludwig of Hesse and by Rhine on 10 October 1937
After graduating, the trained art historian served as an attaché at the German Embassy in London. In Upper Bavaria, Ludwig met Margaret Campbell Geddes (18 March 1913-26 January 1997), the daughter of British diplomat and professor Sir Auckland Campbell Geddes (1879-1954) and American Isabella Gamble Ross (1881-1962). After having met in 1936, Ludwig and Margaret announced their engagement on 16 July 1937. The wedding was postponed after Grand Duke Ernst Ludwig died on 9 October 1937. At this point, it was decided that Ludwig and Margaret should marry on 20 November 1937, the groom's twenty-ninth birthday.
However, further tragedy was to intervene. On 16 November, Eleonore, along with her son Georg Donatus, his pregnant wife Cecilie and his two sons, went to London by plane in order to attend Ludwig's wedding. The plane crashed near Oostende in Belgium and all the passengers were killed. The only one of Georg Donatus and Cecilie's children not aboard the flight was their daughter Johanna.
In London, it was decided that Prince Ludwig and Margaret Geddes should marry without delay in the face of this loss. The couple were married on 17 October 1937, a day after the plane crash, in quiet wedding ceremony at St Peter's Church, Eaton Square. Ludwig's best man was Lord Louis Mountbatten. The wedding was attended by the Duke and Duchess of Kent, Princess Olga of Yugoslavia (née Greece), Countess Elisabeth of Törring-Jettenbach (née Greece), the Dowager Marchioness of Milford Haven, Lady Louis Mountbatten, and Mr and Mrs von Ribbentrop. After the marriage, Ludwig and Margaret traveled to Ostend to see the remains of the groom's family. Ludwig never completely recovered from the death of his family; it was later remarked that "a disciplined sadness marked him."
Princess Johanna of Hesse and by Rhine
Prince Ludwig and Princess Margaret with their niece/adopted daughter Princess Johanna
After the accident, Prince Ludwig and Princess Margaret adopted Johanna, their orphaned niece, and planned to raise her as their own daughter. Sadly, Johanna developed meningitis and died twenty months later at the age of two and a half on 14 June 1939. The little girl's maternal grandmother, Princess Alice of Greece (née Battenberg), said later that the unconscious Johanna so closely resembled her mother at the same age that it felt like losing her daughter Cecilie all over again. Following Johanna's death, she was buried with her parents and brothers at the Rosenhöhe.
Peter Pears, Prince Louis of Hesse and by Rhine, Princess Margaret of Hesse and by Rhine, and Benjamin Britten
Lu and Peg of Hesse
Prince Ludwig and Princess Margaret "Peg" were never able to have children of their own. After the end of World War II, the couple engaged in the reconstruction of Darmstadt, supporting such institutions as Alice Hospital, the Eleonorenheim and the Red Cross. As a lover of classical music, the prince promoted the Ansbach Festival and the Aldeburgh Festival. As a friend of the British musician Benjamin Britten, Ludwig translated his lyrics and invited the English composer come to Wolfsgarten, where parts of Britten's opera Death in Venice were created.
Ludwig of Hesse and by Rhine in later life
Lu and Peg of Hesse with The Queen and the Duke of Edinburgh
In 1964, Ludwig became of the godfathers of Prince Edward, youngest child of Queen Elizabeth II and the Duke of Edinburgh. Ludwig died in 1968 at the age of 59 years. The funeral service took place on 6 June 1968 at Darmstadt in the presence of the European royals and aristocrats. Ludwig is buried together with his wife Margaret (1913-1997) in a simple grave at the Rosenhöhe, in the immediate vicinity of his parents and his brother's family.
The late Landgraf Moritz of Hesse as a young man
In 1960, Prince Ludwig adopted Prince/Landgraf Moritz of Hesse-Kassel (1926-2013), in whose person the two separate lines of the House of Hesse were reunited from the first time since 1567 after Prince Ludwig's death in 1968.
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Beethoven worked on the Fifth Symphony for more than four years, completing it in 1808, and introducing it on December 22 of that year at what must have been one of the most extraordinary concerts in history. The marathon program included the Fifth and Sixth Symphonies; the Choral Fantasy, Op.80; the Fourth Piano Concerto; and parts of the Mass in C. Vienna was in the grip of exceptionally cold weather, the hall was unheated, and the musicians woefully under-prepared. As Schindler noted, "the reception accorded to these works was not as desired, and probably no better than the author himself had expected. The public was not endowed with the necessary degree of comprehension for such extraordinary music, and the performance left a great deal to be desired". Following early indifference, the public only gradually began to come to terms with the Fifth. One of its earliest proponents, the poet and composer E.T.A. Hoffmann wrote, "How this magnificent composition carries the listener on and on in a continually ascending climax into the ghostly world of infinity!... the human breast, squeezed by monstrous presentiments and destructive powers, seems to gasp for breath; soon a kindly figure approaches full of radiance, and illuminates the depths of terrifying night". In his Howard's End, E.M. Forster writes of the work, suggesting that it satisfies "all sort and conditions". The characters of Helen and Tibby know the work well, the latter even describing "the transitional passage on the drum" before the finale. That Forster dwelt at such length on the work shows the extent to which it had become absorbed into the Romantic consciousness. Hermann Kretzschmar wrote of the "stirring dogged and desperate struggle" of the first movement, one of the most concentrated of all Beethoven's symphonic sonata movements. It is derived almost exclusively from the rhythmic cell of the opening, which is even felt in the accompaniment of the second subject group. There follows a variation movement in which cellos introduce the theme, increasingly elaborated and with shorter note values at every reappearance. A second, hymn-like motif is heard as its counterfoil. The tripartite scherzo follows; the main idea is based on an ominous arpeggio figure, but we hear also the omnipresent "Fate" rhythm, exactly as it is experienced in the first movement. The central section, which replaces the customary trio, is a pounding fugato beginning in the cellos and basses, and then running through the rest of the orchestra. Of particular structural interest is the inter-linking bridge passage which connects the last two movements. Over the drumbeat referred to by Forster's Tibby, the music climbs inexorably toward the tremendous assertion of C major triumph at the start of the finale. The epic grandeur of the music, now with martial trombones and piccolo added (the Fifth also calls for contrabassoon), has irresistible drive and sweep, though that eventual victory is still some way off is suggested by the return of the ominous scherzo figure during the extended development. Source: Michael Jameson (allmusic.com)
Ludwig van Beethoven (1770-1827) ♪ Symphony No.5 in C minor, Op.67 (1807-1808) i. Allegro con brio ii. Andante con moto iii. Scherzo: Allegro iv. Allegro Kaleidoscope Chamber Orchestra Musco Center for the Arts, Chapman University, Orange, California, February 24, 2019 (HD 1080p)
Kaleidoscope Chamber Orchestra: About Vision. We envision a world where our commitment to a collaborative artistic process results in profound orchestral performances that inspire people to pursue cooperation and artistry in their own creative, professional and personal lives. Mission. Kaleidoscope is a conductorless chamber orchestra dedicated to enriching lives through exhilarating concert experiences, artistic excellence, musician leadership, and connecting with the diverse communities of Los Angeles. Core Values • We believe that our collective of musicians has ideas that are worthy of respect and consideration; that each member has a voice worth hearing; that every person, given the chance and tools, can help to create great art. • We believe that pursuing a democratic process within the orchestra will improve the quality of the performance, fulfill the collective vision of the ensemble, and create a unique experience not found in traditional orchestras. • We believe in developing an infrastructure that supports, empowers, and values its musicians. • We believe in bringing our performances and artistic process to audiences who have little or no exposure to symphonic music with the belief that the experience will enrich the lives of both the audience and the performers. Artistic Intent. We perform orchestral music that speaks profoundly to our community and is both representative of its time and timeless, whether written today or centuries ago. We stretch the boundaries for what is thought possible without a conductor, both by musicians and audiences, to allow us all to grow through the process. We regularly collaborate with living composers because their music represents our time. We design programs that explore less conventional concert experiences and allow audiences to feel more personally connected to music and the musicians who perform it. Community Engagement and Education. Kaleidoscope is committed to music education for all ages and is happy to offer a "pay what you can" model to eliminate the barrier of a set ticket price. We want everyone in Los Angeles to have the opportunity to experience great classical music in person by a professional orchestra, think about what that experience means, and pay what makes them happy. We also perform many additional free concerts in schools, hospitals, shelters, and other underserved parts of our community. We recently started a music education program at a title I elementary school in Culver City, providing music instruction to 200 students each week. With additional funding, we are planning to expand this program to other grades and other schools in the future. Not only do we want every child in Los Angeles to love listening to music, we want every child to have the opportunity to read, play, and write music, too. Source: kco.la
Radu Duda of Romania: When an Actor turned Prince runs for President
Ten years ago, Prince Radu of Romania (né Duda) announced his candidacy for the Romanian Presidency in a press conference at Elisabeta Palace in Bucharest on 9 April 2009. Radu was accompanied by his wife Princess Margarita. The couple had married in 1996.
On 23 April 2009, King Michael of Romania gave a speech in support of his son-in-law's political aspirations. Some suspected that the king did so reluctantly as he had always sought to remain above the political fray. The king delivered his address from Elisabeta Palace. In full, the speech read as follows:
I spent half a century in exile together with my family and another ten years in government imposed restrictions in our own country. For us these were the most terrible years and perhaps for the country were even worse. Our whole life was dedicated to serving the country as we always wished to see her powerful, prosperous and proud within Europe. During these more than six decades all good hopes of the Romanian people were shattered, one by one. […] The right deed comes at the right time for the country. I believe that this moment has arrived.
My Family through its presence in the democratic elections for the institution of the Chief of State strives to unite and restore to a state of health contemporary Romania. We want to prove how the people should be properly served. I am fully confident that Prince Radu has the capacity to bear forward this important responsibility and high ideal.
Romania faces difficult times. I appeal to you all in supporting this important step forward for Romania. In these moments the country needs you united and generous, cohesive and responsible.
Let us together give Romania hope in this difficult year!
So help us God!
Mihai R.
Radu Duda announces his bid for the Romanian Presidency in April 2009
In September 2009, Radu quit the presidential race. He attributed this decision to a lack of broad support from the political establishment, other groups and the business community in Romania. The Royal Forums elaborated:
The Prince said he was very sad to make the decision but had ‘hopes for the future’. He maintained that the election campaign was not a fair race but merely a fight between different political clans: “Most Romanian politicians act as though the state and public institutions are personal goods. The current president began the process of privatization of the Romanian state. The next president will continue it.”
Radu Duda announced his intention to fun for Presidency in April and registered as an independent candidate, without links to or support of any political party. At the time, Prince Radu declared that should he be successful, he would not seek to restore the Monarchy.
Former King Michael of Romania supported both his son-in-law’s campaign and his decision to end it.
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