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Luka Šulić and Evgeny Genchev at the Union Hall Maribor (HD 1080p)












Luka Šulić (cello) and Evgeny Genchev (piano) play popular melodies at the Union Hall Maribor, Slovenia, in December 2020.

Union Hall is the only preserved building of the former Götz Brewery, which was the leading brewery in Maribor since the second half of the 19th century until the First World War. In 1911, a central building was built, Götz Hall, which was already then the largest venue for events in Maribor. In 1926 Götz Brewery became part of the Ljubljana's Union Brewery; hence the name Union Hall. But Union Brewery first limited its production in Maribor, and then stopped, and the Union Hall became the property of the music society Glasbena Matica.

During the two world wars, the Union building and its hall were a place of musical activities and played an important role in the response of Slovenes to the increasing germanisation in Styria region. In 1910, Slovenes founded the music society Glasbeno društvo, which had its premises in the Union building until 1918. Its heritage was continued by Glasbena Matica – its founder was a composer and choirmaster Oskar Dev (1868-1932) – which from 1919 on organized its own choir, music school, symphonic concerts. In this context, General Rudolf Maister (1874-1934), who has a special significance in Slovene history as a fighter for the northern Slovene border, organized "The Military Music Band for the Lower Styria".

After the Second World War, since 1946, the Concert Management which today is considered to be the cultural organizer with the longest tradition in Slovenia began to organise its events in the Union Hall. Acclaimed ensembles of classical music that performed there were the Chamber Orchestra of Czech Philharmonic, the Netherlands Philharmonic Orchestra, the Moscow Philharmonic, the Leningrad Philharmonic, the BBC Philharmonic Orchestra, the Borodin Quartet, the English Chamber Orchestra, the Tokyo Quartet, and the Leipzig String Quartet, etc. Conductors who performed there were Krzysztof Penderecki, Sergiu Celibidache, Mariss Janskons, Neeme Järvi, Paavo Järvi, Vasily Petrenko, Sir Roger Norrington and pianists Svjatoslav Richter and Ivo Pogorelić, violinist Julian Rachlin, baritone Christian Gerhaher, violinists Hilary Hahn and Sarah Chang, cellos Antonio Janigro, Miša Majski and Nicolas Altstaedt, violist Jurij Bašmet, mezzo-soprano Marjana Lipovšek, soprano Bernarda Bobro, jazz musicians Lester Bowie and Sam Rivers and many others.

Source: culture.si/en/Union_Hall_Maribor



MUSIC. ACTUALLY (Special Concert)

1. Ave Maria (Johann Sebastian Bach / Charles Gounod) [0:40]*
2. The Four Seasons – Winter, i. (Antonio Vivaldi) [3:36]
3. A Thousand Years (Christina Perri) [6:58]
4. Gymnopédie No.1 (Erik Satie) [10:56]
5. Comptine d'un autre été from Amelie (Yann Tiersen) [14:24]
6. Clair de Lune (Claude Debussy) [18:10]
7. Una Mattina (Ludovico Einaudi) [22:55]
8. On the Nature of Daylight (Max Richter) [26:16]
9. Arrival of the Birds (The Cinematic Orchestra) [32:30]
10. You Raise Me Up (Secret Garden) [35:54]
11. Smells Like Teen Spirit (Nirvana) [41:06]

Luka Šulić, cello
Evgeny Genchev, piano

Video Production by Giulio Ladini & Kleva Films
Directed by Giulio Ladini
Audio by Matterhorn Music  Zagreb
Lighting design by Črt Birsa – Blackout
Produced by VignaPr, AND Production and Luka Šulić

Union Hall Maribor, Slovenia, December 2020

* Start time of each work

(HD 1080p)













Luka Šulić is a virtuoso cello player, well known throughout the world combining classical and crossover performances. Currently he's performing a solo classical project focused on  "The Four Seasons" by Antonio Vivaldi, as he is the first musician in history to perform integrally The Four Seasons on the cello. His first solo album (Vivaldi Four Seasons) was released by Sony Classical on October 25th 2019 and it debuted at #1 of Billboard Classical Albums Chart in the USA. He has given a number of solo concerts in Europe, South America and Asia, in major venues such as Wigmore Hall, Amsterdam Concertgebouw, Teatro dal Verme in Milan, Vienna Musikverein and Konzerthaus, Berlin Philharmonic, Suntory Hall in Tokyo and many others.

As a member of internationally acclaimed super group 2Cellos, Luka has toured globally for many years with Sir Elton John, performing with him and opening his shows in massive arenas and stadiums. Apart from their own sold out arena tours 2Cellos have performed at prestigious venues and events such as Madison Square Garden, Paris Olympia, Sydney Opera House, Arena di Verona, Queen's Diamond Jubilee, UEFA Champions League Final, FIFA Ballon d'OR and the Emmy Awards to mention just a few. Onstage, their collaborators have included the Red Hot Chili Peppers, Queens of the Stone Age, George Michael, Zucchero, Steve Vai and Lang Lang. They also performed and recorded with orchestras such as the London Symphony Orchestra, Royal Philharmonic Orchestra and the Sydney Symphony Orchestra and appeared on major TV shows such as the Today Show, The Tonight Show with Jay Leno, The Ellen DeGeneres Show (multiple times), TV Total with Stefan Raab, GLEE, Good Morning America and many others. Together with superstar pianist Lang Lang, they appeared on the CCTV New Year's Gala for more than 1 billion viewers.

Šulić began his musical education in Maribor when he was five years old. When he was fifteen, he became one of the youngest students ever to enter the Music Academy in Zagreb in the class of Professor Valter Dešpalj, where he graduated aged only 18. He continued his education in Vienna with Professor Reinhard Latzko. Šulić finished his master's degree with distinction at the Royal Academy of Music in London in 2011. He won series of top prizes at the prestigious international music competitions including first and special prize at the VII Lutosławski International Cello Competition in Warsaw (2009), first prize at the European Broadcasting Union "New Talent" Competition (2006) and first prize at the Royal Academy of Music Patron's Award in Wigmore Hall (2011).

Source: lukasulic.com


B
ulgarian pianist Evgeny Genchev (b. 1989) has been steadily gaining wider recognition and critical acclaim. He has given numerous performances across Europe, North America, Asia and Australia, and has won prizes at more than fifteen national and international piano competitions.

Evgeny has appeared on TV channels such as RTL, ARD, ZDF, Deutsche Welle, Pro7 among others. He has also performed on shows such as Heidi Klum's Next Top Model, MoMa, Willkommen 2017 (at Brandenburg Gate for over 800 thousand people), PaRus Festival, Dubai alongside Luka Šulić and Filip Kirkorov, Helene Fischer Christmas Show alongside Helene Fischer and Schlagerbooom  alongside Andreas Gabalier.

Genchev has performed in many renowned concerts halls: Kaufman Centre, New York; Philharmonie, Munich; Alte Oper, Frankfurt; Bridgewater Hall, Manchester; Mercedes-Benz Arena, Berlin; Centro Nacional de las Artes, Mexico City; Westfalenhallen, Dortmund; LSO St Luke's and Milton Court Hall, London; Glinka Philharmonic Hall, St Petersburg; Philharmonic Hall, Warsaw; National Centre for the Performing Arts (NCPA), Beijing; and National Palace of Culture, Sofia.

In recent seasons he performed with the Orquesta Filarmónica de la UNAM (OFUNAM) in Mexico City, the Polish Baltic Frederic Chopin Philharmonic in Gdansk, the LISMA Festival Orchestra in New York, OSUANL in Monterrey, and the Plovdiv Symphony Orchestra, collaborating with conductors such as Massimiliano Caldi, Arkady Leytush, Jesus Medina, Yan-Pascal Tortelier and Jan Latham-Koenig.

Evgeny Genchev was born in Bulgaria and began his piano studies at the Dobrin Petkov National School of Music and Dance. On completion of his course, Genchev was presented with the Dobrin Petkov Grand Award for Achievements in Music. Genchev continued his education at the Royal Academy of Music in London, and the International Piano Academy "Incontri col Maestro" in Imola, Italy. He has also finished the Artist Diploma programme at the Guildhall School of Music & Drama in London after graduating with distinction from the Master in Performance course.

Source: evgenygenchevpiano.com























“Musiques du silence” – Guillaume Coppola plays Federico Mompou, Maurice Ravel, Erik Satie, Frédéric Chopin, Toru Takemitsu, Claude Debussy & Enrique Granados (HD 1080p)














French pianist Guillaume Coppola plays works by Federico Mompou, Maurice Ravel, Erik Satie, Frédéric Chopin, Toru Takemitsu, Claude Debussy and Enrique Granados. The recital was recorded live at Jacques Prévert Theatre and Cinema, in Aulnay-sous-Bois, France, on December 1, 2015.



After five original and unanimously acclaimed CDs, Guillaume Coppola (b. 1979, Besançon, Bourgogne-Franche-Comté, France) has now "confirmed his prominent place at the heart of the young generation" (Diapason). In addition to a verve and an expressive depth that make each of his performances keenly anticipated, his authenticity and simplicity have won the hearts of music-lovers.

His eclectic and eloquent discography – encompassing Liszt (2009), Granados (2012), Poulenc (2013, with baritone Marc Mauillon), Schubert (2014) and Brahms-Schubert (2016, four hands with Hervé Billaut) – has been enthusiastically welcomed by the world's press, with every release garnering the highest recognition: Diapason d'Or, ffff from Télérama, Selection from Le Monde, Les Echos, the Académie Charles Cros, five stars from BBC Music Magazine, "Maestro" from Pianiste, four stars from Classica, four stars from Pianist and so on.

To date, he has performed in some 20 countries, appearing at prestigious European venues such as the Amsterdam Concertgebouw, the Prague Rudolfinum, the Liège Philharmonie, the Reduta in Bratislava and the Liepaja International Piano Stars Festival, as well as in Asia and South America. In France too, of course: at the Musée d'Orsay, the Salle Pleyel, the Piano Festival of La Roque-d'Anthéron, the Folle Journée de Nantes, the Festival de l'Orangerie de Sceaux, Piano aux Jacobins, the Paris Chopin Festival, Solistes aux Serres d'Auteuil, the Radio France Montpellier Festival, the Lille Piano Festival, the Rendez-vous de Rochebonne, the Nohant Festival, the Auditorium de Dijon, the Auditorium de Bordeaux, MC2 Grenoble, the Dinard Festival and more.

In addition to solo recitals and concertos – the latter with the Orchestre National de Montpellier, the Saint-Etienne Symphony Orchestra, the Orchestre Victor Hugo Franche-Comté and the Orchestre Symphonique de l'Opéra de Toulon, under the baton of Arie van Beek, Enrique Mazzola, Laurent Campellone and Maxime Tortelier, among others – chamber music allows him to engage in fruitful collaboration with the violinists Régis Pasquier, Patrice Fontanarosa and Nicolas Dautricourt, the cellist Antoine Pierlot, the Voce, Parisii, Debussy and Alfama String Quartets.

While he occasionally plays four-hands and two-piano repertoire with Bruno Rigutto or David Bismuth, he has for several years performed as a duo with Hervé Billaut. Invited to accompany the baritone Marc Mauillon in a vocal recital, he also appears with the Latvian National Choir, Spirito/Britten Choir, the Bordeaux Opera Chorus under the direction of Māris Sirmais, Nicole Corti, Salvatore Caputo.

Guillaume is a generous musician who takes every opportunity to perform for audiences in prisons, hospitals and retirement homes. He participates in productions combining words and music, along with Marie-Christine Barrault, Didier Sandre, François Castang and Marie-Sophie Ferdane. His collaborations with composers have included giving the premieres of works by Marc Monnet (Paris, 2015), Isabel Pires (who dedicated a piece to him), Gao Ping, Steven Stucky and Sylvain Griotto.

Guillaume studied at the Conservatoire National Supérieur de Musique de Paris, in the class of Bruno Rigutto. Having taken first prizes in piano and chamber music, he proceeded to hone his skills in numerous masterclasses in France and abroad, with Jean-Claude Pennetier, Dmitri Bashkirov, Leon Fleisher and others. At the outset of his career, he received valuable support from sources such as the Radio France Génération Jeunes Interprètes programme, the Lions Clubs, the Cziffra and Bourgeois Foundations, and internationally from the Prix Déclic of the Institut Français and the New Masters on Tour series.

Source: arts-scene.be



Piano recital by Guillaume Coppola

“Musiques du silence”

1. Federico Mompou (1893-1987): Música callada, No.1 Angelico
2. Maurice Ravel (1875-1937): Prélude
3. Federico Mompou: Prélude No.5
4. Erik Satie (1866-1925): Gymnopédie No. 1
5. Federico Mompou: Paisajes
6. Federico Mompou: Música callada, No.15 Lento – Plaintif
7. Frédéric Chopin (1810-1849): Prelude, Op.28 No.4
8. Toru Takemitsu (1930-1996): Pause Ininterrompue, iii. A Song of Love
9. Erik Satie: Gnossienne No.5
10. Federico Mompou: Impresiones intimas – Secreto
11. Claude Debussy (1862-1918): Suite bergamasque, iii. Clair de lune
12. Federico Mompou: Música callada, No.24 Moderato
13. Enrique Granados (1867-1916): Danzas españolas, ii. Oriental 
14. Federico Mompou: Prélude No.7 "Palmier d'étoiles"
15. Claude Debussy: Book 2, xii. Feux d'artifice: Modérément animé

Guillaume Coppola, piano

Jacques Prévert Theatre and Cinema, Aulnay-sous-Bois, France, December 1, 2015

(HD 1080p)



















































More photos


See also


The best new classical albums: April 2019

Alice Sara Ott – All the posts






















The 2018-2019 season marks a significant year for German-Japanese pianist Alice Sara Ott (b. 1988, Munich, Germany), one of the world's most in-demand classical pianists. She releases her latest album, Nightfall, featuring works by Satie, Debussy and Ravel, including Gaspard de la Nuit, one of the greatest challenges of piano literature. The album marks ten years since Alice has been signed as an exclusive recording artist to Deutsche Grammophon. She will tour the recital programme across the world, with European dates including Paris' La Seine Musicale, Stuttgart's Liederhalle, Vienna's Mozart Saal, Munich's Prinzregententheater, Baden Baden's Festspielhaus, London's Wigmore Hall and the Klavier-Festival Ruhr in Duisburg. These European dates are in addition to a nine-date recital tour across Japan, including Tokyo Opera City, in autumn 2018.

With her talent not limited to a global career as a high level performing artist, Alice Sara Ott also expresses her diverse creativity through a number of design and brand partnerships beyond the borders of classical music. She was personally requested to design a signature line of high-end leather bags for JOST, one of Germany's premium brands. Alice has also been global brand ambassador for Technics, the hi-fi audio brand of Panasonic Corporation, and she has an ongoing collaboration with the French luxury jewellery house, Chaumet.


A prominent figure on the international classical music scene, Alice Sara Ott regularly performs with the world's leading conductors and orchestras. In 2018-2019 as well as the international Nightfall recital tour, Alice will perform with NHK Symphony Orchestra Tokyo (Gianandrea Noseda), Philharmonia Orchestra (Santtu-Matias Rouvali), BBC Scottish Symphony Orchestra, Bergen Philharmonic (Edward Gardner), London Symphony Orchestra (Elim Chan), St Petersburg Philharmonic Orchestra (Yuri Temirkanov), and for a European tour with Gothenburg Symphony (Santtu-Matias Rouvali). She continues her collaboration with London Symphony Orchestra via her chamber music residency at LSO St Luke's, where she will give several Alice and Friends concerts with fellow artists including Ray Chen, Pablo Ferrández, Nemanja Radulovic, Alexey Stadler, Dimitri Ashkenazy and Francesco Tristano.


Alice Sara Ott has worked with conductors at the highest level including Lorin Maazel, Gustavo Dudamel, Pablo Heras-Casado, Paavo Järvi, Neeme Järvi, Sir Antonio Pappano, Gianandrea Noseda, Andres Orozco-Estrada, Yuri Temirkanov, Vladimir Ashkenazy, Sakari Oramo, Osmo Vänskä, Vasily Petrenko, Myung-Whun Chung, Hannu Lintu and Robin Ticciati. She continues to perform with ensembles such as Los Angeles Philharmonic Orchestra, London Symphony Orchestra, Chicago Symphony Orchestra, Washington's National Symphony Orchestra, Rundfunk-Sinfonieorchester Berlin, Royal Philharmonic Orchestra, WDR Sinfonieorchester Köln, Wiener Symphoniker and Dresdner Philharmonie.


Source: alicesaraott.com





Photos by Ester Haase

More photos


Alice Sara Ott – All the posts


Alice Sara Ott | Nightfall – Claude Debussy, Erik Satie, Maurice Ravel (Download 96kHz/24bit & 44.1kHz/16bit)

Ludwig van Beethoven: Piano Concerto No.3 in C minor – Alice Sara Ott, L'Orchestre Philharmonique de Radio France, Mikko Franck (HD 1080p)

Alice Sara Ott plays Claude Debussy (Suite bergamasque, Rêverie), Frédéric Chopin (Nocturnes Nos. 1, 2, 13, Ballade No.1 in G minor), Erik Satie (Gnossiennes Nos. 1 & 3, Gymnopédie No.1), & Maurice Ravel (Gaspard de la nuit) (HD 1080p)

Maurice Ravel: Piano Concerto in G major – Alice Sara Ott, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali (HD 1080p)

Franz Liszt: Piano Concerto No.2 in A major – Alice Sara Ott, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali (HD 1080p)

Alice Sara Ott | Nightfall – Claude Debussy, Erik Satie, Maurice Ravel (Download 96kHz/24bit & 44.1kHz/16bit)























Alice Sara Ott presents Nightfall, where she explores the transition and harmony between day and night, light and darkness. This recording showcases a collection of deeply emotional piano pieces by Satie, Debussy and Ravel.

On her new album Nightfall, set for release by the Yellow Label on 24 August 2018, Alice Sara Ott takes a very personal look at the magical moment in time and space between day and night, light and darkness, basing her explorations on works by Debussy, Satie and Ravel. The German-Japanese pianist decided to mark the dual celebration of her 30th birthday and her 10th anniversary as a Deutsche Grammophon artist by examining her relationship with three French composers who have had a significant influence on her, and whose music made an indelible impression on the Parisian arts scene at the turn of the 20th century. With meticulous attention to detail, she traces the shifting moods in these works, revealing the fascinating interplay of the light and dark tones used by Debussy, Satie and Ravel to create such wide-ranging atmospheres.

Ending and beginning, transparency and opacity. As day turns to night and light fades into darkness, we enter the blue hour of twilight, when the air seems full of mystery, fleetingly saturated in blue and purple hues before inexorably darkening to blackness. It is precisely this elusive change in atmosphere that Alice Sara Ott sets out to capture in musical terms on Nightfall. The album is a particularly personal artistic project for Alice Sara Ott, documenting the intensity of her musical encounters with these three composers.

Debussy, Satie and Ravel were contemporaries, and all three lived, worked and died in Paris. They were friends, but also rivals, each writing in his own very individual style. As a result, we hear the contrast between the dreaminess of Debussy's Rêverie (1890), written when the young composer was still in search of his own stylistic ideas; the dark, romantic and intricate storytelling of Ravel's Gaspard de la nuit (1908); and the minimalistic snapshots of Satie's Gymnopédies and Gnossiennes (1888-1890). Debussy's dance-based Suite bergamasque was published in 1905, and Ott sees its most famous movement, "Clair de lune" – inspired by the Verlaine poem of the same name – as reflecting the way people don masks of happiness to disguise their pain. As for Ravel's Pavane pour une infante défunte of 1899, she suggests it may be about the quest for eternal youth.

This album gives us a glimpse of the artist's thought process, which goes beyond consideration of the musico-historical significance of the works in question, beyond her artistic interpretation of the scores and her desire for technical perfection. On a higher, more abstract level, her readings of the shimmering ambiguities central to these works mirror the dichotomy of all human emotions, as well as shining a light on her personal fascination with the psychological fissures and contradictions that mark each and every one of us, and which are just as hard to capture as the changing moods of the complex, filigree music of Debussy, Satie and Ravel.

Source: alicesaraott.com
























Claude Debussy (1862-1918)

♪ Rêverie (1890)

♪ Suite bergamasque (1890, rev. 1905)

i. Prélude. Moderato (tempo rubato)

ii. Menuet. Andantino
iii. Clair de lune. Andante très expressif
iv. Passepied. Allegretto ma non troppo


Erik Satie (1866-1925)

♪ Gnossienne No.1 (1889-1890)
♪ Gymnopédie No.1 (1888)
♪ Gnossienne No.3 (1889-1890)


Maurice Ravel (1875-1937)

♪ Gaspard de la nuit, M.55 (1908)

i. Ondine
ii. Le Gibet
iii. Scarbo

♪ Pavane pour une infante défunte, M.19 (1899/1910)


Alice Sara Ott, piano

Recording: Berlin, Meistersaal, March 2018

Deutsche Grammophon 2018


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Nightfall. It's that magical hour when day and night face each other and the sky descends into twilight. For a brief moment, light and darkness are in harmony and merge together.

I believe that we humans all carry certain elements of light and darkness within us. An awareness and affirmation of life, reality and conscience on the one hand, the shadow of greed and temptation on the other. The demand for things we can't have. And we don't always succeed in recognising or even defining the boundary between them.

This album is devoted to the music of three composers who lived, worked and died in Paris. Three contemporaries, sometimes friends, sometimes rivals. Though they could hardly have been more different, they were all part of an era and a movement that stood the world of art on its head and gave it a new definition and significance.

Claude Debussy composed Rêverie in 1890 while still in a phase of musical searching and development. Rêverie, with its repeated motifs and its lack of climaxes, has a somnolent, trance-like character that connects it with the world of Satie. It's also a marvellous, almost innocent way to begin this album.

Suite bergamasque arose in the same year. But Debussy reworked it over and over again before releasing it for publication in 1905. Inspired by baroque dance rhythms, the outer movements Prélude and Passepied, as well as Menuet, have a merry, sometimes festive character that poses a great contrast to Clair de lune.

Here Debussy set a like-named poem by Paul Verlaine in which the poet speaks of the happiness that masks his sorrow. This human dichotomy finds vivid expression in Debussy's setting.

Erik Satie's Gymnopédies (1888) and Gnossiennes (1890) are among the most popular works in the history of classical music. Satie was convinced that a composer has no right to claim his listeners' time. He developed his own notion of background music, which he called musique d'ameublement – "furniture music". Despite his minimalist style of composition, Satie was an extremely complex and cynical man. This is plain to see in his instructions to the player: instead of expression marks we find such turns of phrase as "Open your head", "Bury the sound" or "Create something hollow". The ambiguity of these phrases not only makes me rack my brain (they remind me of the lyrics of my favourite band, Pink Floyd), but sometimes cause me to doubt Satie's humble artistic persona.

Maurice Ravel, with his three-part Gaspard de la nuit of 1908, composed one of the greatest challenges in the piano repertoire. Goaded by the ambition to surpass Mily Balakirev's Islamey, then regarded as the most difficult piano piece ever written, he set three poems from Gaspard de la nuit, a volume of prose-poems by Aloysius Bertrand. By his own account, Bertrand received this volume from the Devil himself, who, disguised as an old man, met him in a park in Dijon. Ravel's setting is demanding in the extreme, both pianistically and emotionally. In Ondine, named for the water sprite who falls unhappily in love with a human being, we are confronted with our own fears of rejection and heartbreak. In Le Gibet, where the dead man's heartbeat echoes through the entire piece, we face the fear of loss and transience. And Scarbo, a gnome who attacks artists in the night and drinks their blood, confronts us with fear of failure. While Ravel was working on this piece his father suffered a stroke, and the act of creation was overshadowed by the ever-present dread of receiving news of his death. One month after completing his pianistic triptych, Ravel's father died of cerebral thrombosis.

At the end of the album is Ravel's Pavane pour une infante défunte, a little piece composed in 1899. I found it a fitting way to end this very complex and bleak album. Ravel himself described the piece as "an evocation of a pavane that a little princess might, in former times, have danced at the Spanish court". Whether this expresses a desire for eternal youth, or the dilemma of someone who cannot grow up, is a question I leave to the listener's imagination.

To me, this album is one of the most personal and challenging recordings I have ever made. This year marks the beginning of a new decade in my life, and my tenth year with Deutsche Grammophon. I wanted to assemble a programme that reflects my personal memories and experiences of the last ten years.

One month before I entered the recording studio – I was in the midst of the bleak world of Gaspard de la nuit – my father suffered a heart attack that he barely survived. Despite the fortunate outcome, these were terrifying hours and days in which I realised how close life and death are intertwined. But there can be no light without darkness, and no hope without fear. And sometimes the borders blur. As in Nightfall.

I dedicate this album to my family and all those who have accompanied and supported me in the 30 years of my life's brief journey.

Source: Alice Sara Ott (Translation: J. Bradford Robinson) (CD Booklet)























The merger of light and darkness purports to govern the programme choices for Alice Sara Ott's latest release, although her interpretations fall more into the shades of grey category. A dark and rather somnolent aura prevails in Debussy's Rêverie, in comparison to the 94-year-young Menahem Pressler's shapelier traversal released a few months ago on the same label (5/2018). By contrast, Ott's straightforward, line-orientated Suite bergamasque differs from the muted hues and subjectivity characterising label-mate Seong-Jin Cho's recent version (1/2018). Compare her relatively grounded "Menuet" movement to Cho's lighter, more capricious reading and you'll hear for yourself.

On the other hand, she underplays and tiptoes around "Clair de lune", unlike Jean-Yves Thibaudet's beautifully sung-out rendition (Decca, 7/2000). Her "Passepied" sounds relatively matter-of-fact and neutral when measured alongside Cho (again) and a faster, more interestingly inflected Alexis Weissenberg performance that's also on DG (7/1986). Ott's slow and rhetorical Satie Gnossienne No.1 sounds unctuous and self-aware next to Alexandre Tharaud's faster, more direct and comfortably idiomatic recording (Harmonia Mundi), although she treats the popular first Gymnopédie and the third Gnossienne simply and beautifully.

On to Ravel's increasingly ubiquitous Gaspard de la nuit. For all of Ott's attractive shadings and half tints in "Ondine", other pianists bring more consistent clarity to the main chordal ostinato pattern (Aimard, Berezovsky and, of course, Michelangeli). She stretches "Le gibet" out to a possibly record-breaking 9'20", as opposed to the normal five-to seven-minute range of motion. Amazingly enough, however, Ott's carefully calibrated nuances and balances and hypnotic sense of long line prove gripping on their own terms. The repeated notes in the introduction to "Scarbo" sound less foreboding and mysterious than mechanically hammered out, while the dotted rhythms are accurately executed yet lack the lightness, spring and propulsion one hears in the classic reference recordings of Pogorelich (DG, 6/1983) and François (EMI/Warner). An elegant, intimately scaled Ravel Pavane closes a recital that largely goes in one ear and out the other, save for Ott's extraordinary, not-to-be-missed slow-motion "Le gibet".

Source: Jed Distler (gramophone.co.uk)


The 2018-2019 season marks a significant year for German-Japanese pianist Alice Sara Ott (b. 1988, Munich, Germany), one of the world's most in-demand classical pianists. She releases her latest album, Nightfall, featuring works by Satie, Debussy and Ravel, including Gaspard de la Nuit, one of the greatest challenges of piano literature. The album marks ten years since Alice has been signed as an exclusive recording artist to Deutsche Grammophon. She will tour the recital programme across the world, with European dates including Paris' La Seine Musicale, Stuttgart's Liederhalle, Vienna's Mozart Saal, Munich's Prinzregententheater, Baden Baden's Festspielhaus, London's Wigmore Hall and the Klavier-Festival Ruhr in Duisburg. These European dates are in addition to a nine-date recital tour across Japan, including Tokyo Opera City, in autumn 2018.

With her talent not limited to a global career as a high level performing artist, Alice Sara Ott also expresses her diverse creativity through a number of design and brand partnerships beyond the borders of classical music. She was personally requested to design a signature line of high-end leather bags for JOST, one of Germany's premium brands. Alice has also been global brand ambassador for Technics, the hi-fi audio brand of Panasonic Corporation, and she has an ongoing collaboration with the French luxury jewellery house, Chaumet.


A prominent figure on the international classical music scene, Alice Sara Ott regularly performs with the world's leading conductors and orchestras. In 2018-2019 as well as the international Nightfall recital tour, Alice will perform with NHK Symphony Orchestra Tokyo (Gianandrea Noseda), Philharmonia Orchestra (Santtu-Matias Rouvali), BBC Scottish Symphony Orchestra, Bergen Philharmonic (Edward Gardner), London Symphony Orchestra (Elim Chan), St Petersburg Philharmonic Orchestra (Yuri Temirkanov), and for a European tour with Gothenburg Symphony (Santtu-Matias Rouvali). She continues her collaboration with London Symphony Orchestra via her chamber music residency at LSO St Luke's, where she will give several Alice and Friends concerts with fellow artists including Ray Chen, Pablo Ferrández, Nemanja Radulovic, Alexey Stadler, Dimitri Ashkenazy and Francesco Tristano.


Alice Sara Ott has worked with conductors at the highest level including Lorin Maazel, Gustavo Dudamel, Pablo Heras-Casado, Paavo Järvi, Neeme Järvi, Sir Antonio Pappano, Gianandrea Noseda, Andres Orozco-Estrada, Yuri Temirkanov, Vladimir Ashkenazy, Sakari Oramo, Osmo Vänskä, Vasily Petrenko, Myung-Whun Chung, Hannu Lintu and Robin Ticciati. She continues to perform with ensembles such as Los Angeles Philharmonic Orchestra, London Symphony Orchestra, Chicago Symphony Orchestra, Washington's National Symphony Orchestra, Rundfunk-Sinfonieorchester Berlin, Royal Philharmonic Orchestra, WDR Sinfonieorchester Köln, Wiener Symphoniker and Dresdner Philharmonie.


Source: alicesaraott.com















Photos by Ester Haase

More photos


See also


Alice Sara Ott – All the posts

Alice Sara Ott plays Claude Debussy (Suite bergamasque, Rêverie), Frédéric Chopin (Nocturnes Nos. 1, 2, 13, Ballade No.1 in G minor), Erik Satie (Gnossiennes Nos. 1 & 3, Gymnopédie No.1), & Maurice Ravel (Gaspard de la nuit) (HD 1080p)












German-Japanese pianist Alice Sara Ott, one of the most requested artists at the classical music scene, performs Claude Debussy (Suite bergamasque, Rêverie), Frédéric Chopin (Nocturnes Nos. 1, 2, 13, Ballade No.1 in G minor), Erik Satie (Gnossiennes Nos. 1 & 3, Gymnopédie No.1), and Maurice Ravel (Gaspard de la nuit). Recorded at Tokyo Opera City Concert Hall, on September 27, 2018.



Claude Debussy (1862-1918)

♪ Suite bergamasque (1890, rev. 1905)

i. Prélude. Moderato (tempo rubato)

ii. Menuet. Andantino
iii. Clair de lune. Andante très expressif
iv. Passepied. Allegretto ma non troppo


Frédéric Chopin (1810-1849)


♪ Nocturnes


i. No.1 in B flat minorOp.9 No.1 (1830-1832)

ii. No.2 in E flat major, Op.9 No.2 (1830-1832)
iii. No.13 in C minor,  Op.48 No.1 (1841)

♪ Ballade No.1 in G minor, Op.23 (1831-1835)


Claude Debussy

♪ Rêverie (1890)


Erik Satie (1866-1925)

♪ Gnossienne No.1 (1889-1890)
♪ Gymnopédie No.1 (1888)
♪ Gnossienne No.3 (1889-1890)


Maurice Ravel (1875-1937)

♪ Gaspard de la nuit, M.55 (1908)

i. Ondine
ii. Le Gibet
iii. Scarbo


Alice Sara Ott, piano

Tokyo Opera City Concert Hall, September 27, 2018

(HD 1080p)


The 2018-2019 season marks a significant year for German-Japanese pianist Alice Sara Ott (b. 1988, Munich, Germany), one of the world's most in-demand classical pianists. She releases her latest album, Nightfall, featuring works by Satie, Debussy and Ravel, including Gaspard de la Nuit, one of the greatest challenges of piano literature. The album marks ten years since Alice has been signed as an exclusive recording artist to Deutsche Grammophon. She will tour the recital programme across the world, with European dates including Paris' La Seine Musicale, Stuttgart's Liederhalle, Vienna's Mozart Saal, Munich's Prinzregententheater, Baden Baden's Festspielhaus, London's Wigmore Hall and the Klavier-Festival Ruhr in Duisburg. These European dates are in addition to a nine-date recital tour across Japan, including Tokyo Opera City, in autumn 2018.

With her talent not limited to a global career as a high level performing artist, Alice Sara Ott also expresses her diverse creativity through a number of design and brand partnerships beyond the borders of classical music. She was personally requested to design a signature line of high-end leather bags for JOST, one of Germany's premium brands. Alice has also been global brand ambassador for Technics, the hi-fi audio brand of Panasonic Corporation, and she has an ongoing collaboration with the French luxury jewellery house, Chaumet.


A prominent figure on the international classical music scene, Alice Sara Ott regularly performs with the world's leading conductors and orchestras. In 2018-2019 as well as the international Nightfall recital tour, Alice will perform with NHK Symphony Orchestra Tokyo (Gianandrea Noseda), Philharmonia Orchestra (Santtu-Matias Rouvali), BBC Scottish Symphony Orchestra, Bergen Philharmonic (Edward Gardner), London Symphony Orchestra (Elim Chan), St Petersburg Philharmonic Orchestra (Yuri Temirkanov), and for a European tour with Gothenburg Symphony (Santtu-Matias Rouvali). She continues her collaboration with London Symphony Orchestra via her chamber music residency at LSO St Luke's, where she will give several Alice and Friends concerts with fellow artists including Ray Chen, Pablo Ferrández, Nemanja Radulovic, Alexey Stadler, Dimitri Ashkenazy and Francesco Tristano.


Alice Sara Ott has worked with conductors at the highest level including Lorin Maazel, Gustavo Dudamel, Pablo Heras-Casado, Paavo Järvi, Neeme Järvi, Sir Antonio Pappano, Gianandrea Noseda, Andres Orozco-Estrada, Yuri Temirkanov, Vladimir Ashkenazy, Sakari Oramo, Osmo Vänskä, Vasily Petrenko, Myung-Whun Chung, Hannu Lintu and Robin Ticciati. She continues to perform with ensembles such as Los Angeles Philharmonic Orchestra, London Symphony Orchestra, Chicago Symphony Orchestra, Washington's National Symphony Orchestra, Rundfunk-Sinfonieorchester Berlin, Royal Philharmonic Orchestra, WDR Sinfonieorchester Köln, Wiener Symphoniker and Dresdner Philharmonie.


Source: alicesaraott.com























































More photos


See also


Alice Sara Ott – All the posts

Maurice Ravel: Piano Concerto in G major – Alice Sara Ott, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali (HD 1080p)














Accompanied by the Gothenburg Symphony Orchestra under the baton of the talented Finnish conductor Santtu-Matias Rouvali, the German-Japanese pianist Alice Sara Ott, one of the most requested artists at the classical music scene, performs Maurice Ravel's Piano Concerto in G major. Recorded at Gothenburg Concert Hall, on February 13, 2019.



The Piano Concerto in G major was a long time in the making. Ravel started thinking about it in 1928 (cf. his visit to Oxford) after his return from America; he took it up again in 1929, but then broke off to write the Concerto for the left hand, then continued with in 1930, and completed it in 1931.

For a long time Ravel declared his intention to perform the work himself and to undertake a world tour with it. But in recognition of his diminishing health and his technical limitations as a pianist, he handed over the role of soloist to Marguerite Long (November 13, 1874 - February 13, 1966), the French pianist and teacher, to whom the work is dedicated. Together they gave the first performance at the Salle Pleyel in Paris on January 14, 1932.


The Concerto observes traditional 3-movement form, albeit with great contrasts of style between movements and indeed within them.


Allegramente: The first movement opens with a single whip-crack, and what follows can be described as a blend of the Basque and Spanish sounds of Ravel's youth and the newer jazz styles he had become so fond of. Like many other concerti, the opening movement is written in the standard sonata-allegro form, but with considerably more emphasis placed on the exposition.


Adagio assai: In stark contrast to the preceding movement, the second movement is a tranquil subject of Mozartian serenity written in ternary form (sometimes called song form, it is a three-part musical form where the first section (A) is repeated after the second section (B) ends. It is usually schematized as A-B-A.


Presto: The third movement recalls the intensity of the first with its quick melodies and difficult passage-work. Possibly due to its short length, the third movement is often repeated by the orchestra and soloist as an "encore" after the concerto.


Source: andantemoderato.com




Maurice Ravel (1875-1937)

♪ Piano Concerto in G major (1931)


i. Allegramente

ii. Adagio assai
iii. Presto


Encore:

Erik Satie (1866-1925)

♪ Gnossienne No.3 (1889-1890)


Alice Sara Ott, piano


Gothenburg Symphony Orchestra
Conductor: Santtu-Matias Rouvali

Gothenburg Concert Hall, February 13, 2019

(HD 1080p)
















The 2018-2019 season marks a significant year for German-Japanese pianist Alice Sara Ott (b. 1988, Munich, Germany), one of the world's most in-demand classical pianists. She releases her latest album, Nightfall, featuring works by Satie, Debussy and Ravel, including Gaspard de la Nuit, one of the greatest challenges of piano literature. The album marks ten years since Alice has been signed as an exclusive recording artist to Deutsche Grammophon. She will tour the recital programme across the world, with European dates including Paris' La Seine Musicale, Stuttgart's Liederhalle, Vienna's Mozart Saal, Munich's Prinzregententheater, Baden Baden's Festspielhaus, London's Wigmore Hall and the Klavier-Festival Ruhr in Duisburg. These European dates are in addition to a nine-date recital tour across Japan, including Tokyo Opera City, in autumn 2018.

With her talent not limited to a global career as a high level performing artist, Alice Sara Ott also expresses her diverse creativity through a number of design and brand partnerships beyond the borders of classical music. She was personally requested to design a signature line of high-end leather bags for JOST, one of Germany's premium brands. Alice has also been global brand ambassador for Technics, the hi-fi audio brand of Panasonic Corporation, and she has an ongoing collaboration with the French luxury jewellery house, Chaumet.


A prominent figure on the international classical music scene, Alice Sara Ott regularly performs with the world's leading conductors and orchestras. In 2018-2019 as well as the international Nightfall recital tour, Alice will perform with NHK Symphony Orchestra Tokyo (Gianandrea Noseda), Philharmonia Orchestra (Santtu-Matias Rouvali), BBC Scottish Symphony Orchestra, Bergen Philharmonic (Edward Gardner), London Symphony Orchestra (Elim Chan), St Petersburg Philharmonic Orchestra (Yuri Temirkanov), and for a European tour with Gothenburg Symphony (Santtu-Matias Rouvali). She continues her collaboration with London Symphony Orchestra via her chamber music residency at LSO St Luke's, where she will give several Alice and Friends concerts with fellow artists including Ray Chen, Pablo Ferrández, Nemanja Radulovic, Alexey Stadler, Dimitri Ashkenazy and Francesco Tristano.


Alice Sara Ott has worked with conductors at the highest level including Lorin Maazel, Gustavo Dudamel, Pablo Heras-Casado, Paavo Järvi, Neeme Järvi, Sir Antonio Pappano, Gianandrea Noseda, Andres Orozco-Estrada, Yuri Temirkanov, Vladimir Ashkenazy, Sakari Oramo, Osmo Vänskä, Vasily Petrenko, Myung-Whun Chung, Hannu Lintu and Robin Ticciati. She continues to perform with ensembles such as Los Angeles Philharmonic Orchestra, London Symphony Orchestra, Chicago Symphony Orchestra, Washington's National Symphony Orchestra, Rundfunk-Sinfonieorchester Berlin, Royal Philharmonic Orchestra, WDR Sinfonieorchester Köln, Wiener Symphoniker and Dresdner Philharmonie.


Source: alicesaraott.com
















Hailed by The Guardian as ​"the latest sit-up-and-listen talent to emerge from the great Finnish conducting tradition", the 2018-2019 season will see Santtu-Matias Rouvali (b. 1985) continuing his positions as Chief Conductor of the Gothenburg Symphony and Principal Guest Conductor of the Philharmonia Orchestra, alongside his longstanding Chief Conductor-ship with the Tampere Philharmonic Orchestra close to his home in Finland.

Rouvali has regular relationships with several orchestras across Europe, including the Orchestre Philharmonique de Radio France, Oslo Philharmonic Orchestra, Bamberger Symphoniker and the Deutsches Symphonie-Orchester Berlin. As well as making his debut with the Münchner Philharmoniker this season, he also returns to North America for concerts with the Minnesota Orchestra and Detroit Symphony Orchestra.


Following a very successful Nordic tour with Hélène Grimaud last season, the Gothenburg Symphony is back on the road in February 2019 for a tour hitting major centres in Germany and Austria with pianist Alice Sara Ott, and percussionist Martin Grubinger who premieres a new percussion concert by Daníel Bjarnason. Rouvali looks forward to other ambitious touring projects with his orchestras in the future, including appearances in North America and Japan.


In addition to the extensive tour, Rouvali's season in Gothenburg opens with Strauss' Alpine Symphony accompanied by Víkingur Ólafsson Mozart Piano Concerto No.24, and he looks forward to collaborations with Janine Jansen, Patricia Kopatchinskaja and Baiba Skride throughout the rest of the season.


As another cornerstone to his tenure in Gothenburg, he is adding his mark to the Orchestra's impressive recording legacy. In partnership with Tampere Philharmonic Orchestra and violinist Baiba Skride, a recording featuring concertos from Bernstein, Korngold and Rozsa is released in autumn 2018. This continues his great collaboration with Baiba Skride following their hugely successful recording of Nielsen and Sibelius' violin concertos with the Tampere Philharmonic Orchestra in summer 2015.


Rouvali has been Artistic Director and Chief Conductor of the Tampere Philharmonic Orchestra since 2013. Highlights of the tenure so far include a Sibelius symphony cycle in autumn 2015, and the Orchestra's first tour to Japan in spring 2017 where they were accompanied by an exhibition of original Moomin drawings by Tove Jansson to mark the opening of the new museum at the Tampere Hall. He opens the 2018-2019 season with a Beethoven programme with pianist Javier Perianes.


Alongside an extremely busy symphonic conducting career, as Chief Conductor in Tampere he has conducted Verdi's La forza del destino and most recently world premiere of Olli Kortekangas's My Brother's Keeper (Veljeni vartija) with Tampere Opera in spring 2018.


Source: harrisonparrott.com
































































More photos


See also


Alice Sara Ott – All the posts

Santtu-Matias Rouvali – All the posts


Gothenburg Symphony Orchestra – All the posts


Maurice Ravel: Piano Concerto in G major – Hélène Grimaud, Gothenburg Symphony Orchestra, Lionel Bringuier (HD 1080p)