Romantic echos Giddon Kremer DG

# Sonata for violin & piano in E flat major, Op. 18 (TrV 151)
Composed by Richard Strauss
with Oleg Maisenberg, Gidon Kremer

# Romantic Pieces (4) for violin & piano, B. 150 (Op. 75) (rev. of Miniatures, B. 149)
Composed by Antonin Dvorak
with Oleg Maisenberg, Gidon Kremer

# Schön Rosmarin, for violin & piano
Composed by Fritz Kreisler
with Oleg Maisenberg, Gidon Kremer

# Liebesleid "Love's Sorrow" for violin & piano
Composed by Fritz Kreisler
with Oleg Maisenberg, Gidon Kremer

# Marche Miniature Viennoise for violin & piano
Composed by Fritz Kreisler
with Oleg Maisenberg, Gidon Kremer

# Syncopation for violin & piano
Composed by Fritz Kreisler
with Oleg Maisenberg, Gidon Kremer

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Great works for harp by Zabaleta

# Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c)
Composed by Wolfgang Amadeus Mozart
Performed by Berlin Philharmonic Orchestra
with Karlheinz Zoeller, Nicanor Zabaleta
Conducted by Ernst Marzendorfer

# Concerto for harp & orchestra in C, Op.77
Composed by Francois-Adrien Boieldieu
Performed by Radio Symphony Orchestra
with Nicanor Zabaleta
Conducted by Ernst Marzendorfer

# Concierto serenata for harp & orchestra
Composed by Joaquin Rodrigo
Performed by Radio Symphony Orchestra
with Nicanor Zabaleta
Conducted by Ernst Marzendorfer

# Harp Concerto in B flat major, Op.4/6, HWV 294
Composed by George Frideric Handel
Performed by Paul Kuentz Chamber Orchestra
with Nicanor Zabaleta
Conducted by Paul Kuentz

# Harp Concerto No. 1 in C
Composed by Johann Georg Albrechtsberger
Performed by Paul Kuentz Chamber Orchestra
with Nicanor Zabaleta
Conducted by Paul Kuentz

# Concerto for harp, 2 oboes, 2 horns & stringorchestra in A major
Composed by Karl Ditters von Dittersdorf
Performed by Paul Kuentz Chamber Orchestra
with Nicanor Zabaleta
Conducted by Paul Kuentz

# Introduction & Allegro for harp, flute, clarinet & string quartet
Composed by Maurice Ravel
Performed by Paul Kuentz Chamber Orchestra
with Marguerite Vidal, Anka Moraver, Hamisa Dor, Nicanor Zabaleta, Christian Larde, Guy Deplus
Conducted by Paul Kuentz

# Danses sacrée et profane, for chromatic harp & string orchestra, L. 103
Composed by Claude Debussy
Performed by Paul Kuentz Chamber Orchestra
with Nicanor Zabaleta
Conducted by Paul Kuentz



http://www.filesonic.com/file/1014795924/Great harp works Zabaleta DG.part1.rar
http://www.filesonic.com/file/1014796164/Great harp works Zabaleta DG.part2.rar
http://www.filesonic.com/file/1014796314/Great harp works Zabaleta DG.part3.rar
http://www.filesonic.com/file/1014800774/Great harp works Zabaleta DG.part4.rar
http://www.filesonic.com/file/1014800974/Great harp works Zabaleta DG.part5.rar
http://www.filesonic.com/file/1014801164/Great harp works Zabaleta DG.part6.rar
http://www.filesonic.com/file/1014801254/Great harp works Zabaleta DG.part7.rar


http://www.fileserve.com/file/3WGV6Ub
http://www.fileserve.com/file/kK25MZr
http://www.fileserve.com/file/5NpkDRG
http://www.fileserve.com/file/v5hYwwk
http://www.fileserve.com/file/p79etpr
http://www.fileserve.com/file/jqgnzJb
http://www.fileserve.com/file/Qrks98B

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Krystian Zimerman Plays Schubert

1.         Impromptus (4) for Piano, D 899/Op. 90 by Franz Schubert
Performer:  Krystian Zimerman (Piano)
Period: Romantic
Written: 1827; Vienna, Austria
        Date of Recording: 02/1990
Venue:  Rudolf-Oetker-Halle, Bielefeld, Germany
Length: 28 Minutes 18 Secs.
2.      Impromptus (4) for Piano, D 935/Op. 142 by Franz Schubert
Performer:  Krystian Zimerman (Piano)
Period: Romantic
Written: 1827; Vienna, Austria 

Links:

http://www.filesonic.com/file/810470264/[DG423 612-2]Zimerman-Schubert-Impromptus D 899 & D 935.rar

http://www.fileserve.com/file/ekFcV2n

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Mahler: Das Lied von der Erde (Fassbaender, Araiza/BPO, Giulini)

Review from amazon

Finely graded textures are one of the hallmarks of Giulini's Das Lied von der Erde, his first recording with the Berlin Philharmonic Orchestra. The maestro draws marvellous playing from the Berliners, and on compact disc the recording is equally lucid.

Intensity is in abundance in the final Abschied. Brigitte Fassbaender is a highly persuasive soloist here, cool-toned yet phrasing with intelligence and demonstrating an acute sense of what she is actually singing about, while Giulini treats the orchestral interpolations as miniature tone-poems, etched in vivid detail without any necessity for superficial rhetoric. The earlier contralto songs go almost equally well.

Perhaps there has never been an entirely successful version of the tenor songs since Fritz Wunderlich recorded them for Klemperer; the reconciling of the vocal demands of a Heldentenor with something much nearer lieder singing is hard to achieve. The Mexican tenor Francisco Araiza copes well, however. Connoisseurs of Das Lied will need to hear this recording: in this of all Mahler scores duplications are almost essential.

http://www.fileserve.com/file/eeYT9dH
http://www.fileserve.com/file/k2bsSkJ
http://www.fileserve.com/file/yRwJwSJ

artwork
http://www.fileserve.com/file/p5nQaHe

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