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IMDB Ratings: 8.2/10 Directed: M. Manikandan Released Date: 23 September 2016 (USA) Genres: Drama Languages: Hindi Film Stars: Vijay Sethupathi, Ritika Singh, Pooja Devariya Movie Quality: 1080p HDRip File Size: 1630MB
IMDB Ratings: 8.2/10 Directed: M. Manikandan Released Date: 23 September 2016 (USA) Genres: Drama Languages: Hindi Film Stars: Vijay Sethupathi, Ritika Singh, Pooja Devariya Movie Quality: 720p HDRip File Size: 924MB
Pappu Passport (Aandavan Kattalai) 2020 Hindi Dubbed 400MB HDRip Download
IMDB Ratings: 8.2/10 Directed: M. Manikandan Released Date: 23 September 2016 (USA) Genres: Drama Languages: Hindi Film Stars: Vijay Sethupathi, Ritika Singh, Pooja Devariya Movie Quality: 480p HDRip File Size: 426MB
† Doña Cristina de Borbón y Hardenberg (1975-2020)
Doña Cristina de Borbón y Hardenberg
Doña Cristina de Borbón y Hardenberg died on Thursday, 13 February 2020, at Madrid. She had been admitted to the Puerto de Hierro hospital following an accident which led to her passing. Cristina was forty-four years-old. She was surrounded by her immediate family as she left this world. In addition to her parents, Cristina was extremely close to her sister Olivia, her brother Francisco, and their children. She will be terribly missed by all who knew her.
Announcement of the birth of doña Cristina de Borbón y Hardenberg in September of 1975.
Born at Madrid on 2 September 1975, doña Cristina Elena de Borbón y Hardenberg was the middle child of Francisco, Duke of Seville, and his first wife Countess Beatrice von Hardenberg. Cristina's parents had married in 1973. Cristina had one sister, Olivia (b.1974), and one brother, Francisco (b.1979).
Cristina and her mum Beatrice
Initially, Cristina studied Communications at the College for International Studies in Madrid. She then switched her focus to tourism and hospitality. Cristina moved to New York City, and enrolled at the Institute of Culinary Education. After finishing studies there, Cristina interned at a number of high-end restaurants. She went on to found her own catering company in Spain. A great lover of humankind's best friend, Cristina was particularly fond of pugs.
Left to right: Countess Beatrice von Hardenberg, Hans Clarin, Cristina de Borbón, Count Hubertus von Hardenberg, Countess Christa von Hardenberg, Olivia de Borbón, with Princess Maria Josepha zu Fürstenberg in the front. (1997) Photograph (c) Presse-Foto-Seeger
Cristina was the paternal granddaughter of Francisco de Paula de Borbón y Borbón (1912-1995) and Enriqueta Escasany y Miquel (1925-1962). Cristina's maternal grandparents were Count Günther von Hardenberg (1918-1985) and Princess Maria Josepha zu Fürstenberg (1922-2008). Cristina was a fifth cousin of King Felipe VI of Spain.
Several of Cristina's friends gave brief comments to the press outside the funeral home: "[She was] a great girl, so young... She was heavenly, she was super sweet, good, very fragile. A marvellous person." Another friend said, "I will remember her as one of the best people that I have ever known." Luis Alfonso de Borbón and his wife Margarita also visited Tanatorio Parque de San Isidro, where Cristina is resting in peace.
1. Doña Cristina Elena de Borbón y Hardenberg (Madrid 2 September 1975-Madrid 13 February 2020)
Parents
2. Don Francisco de Paula de Borbón y Escasany, 5. Duque de Sevilla (b.Madrid 16 November 1943) who married at Baden on 7 July 1973 (divorced 1989) 3. Countess Beatrice von Hardenberg (b.Donaueschingen 28 June 1947)
Grandparents
4. Don Francisco de Paula de Borbón y de Borbón (Santander 16 November 1912-Madrid 15 November 1995) who married at Madrid on 4 November 1941 5. Doña Enriqueta Escasany y Miguel (Malaga 13 October 1925-Madrid 16 May 1962)
6. Count Günther von Hardenberg (14 February 1918-Baden 19 January 1985)
who married at Donaueschingen on 27 February 1943
7. Princess Maria Josepha zu Fürstenberg (Werenwag 23 April 1922-7 July 2008)
Great-Grandparents
8. Don Francisco de Borbón y La Torre (Madrid 16 January 1882-Madrid 6 December 1952)
who married on 21 August 1907
9. Doña Enriqueta de Borbón y Parade, IV. Duquesa de Sevilla (Madrid 28 June 1885-Valencia 5 November 1968) 10. Don Ignacio Escasany y Auzeill (d.Madrid 14 November 1973)
who married
11. Enriqueta de Miguel y Mas, 2. Marquesa de Pobla de Claramunt 12. Count Eberhard von Hardenberg (Charlottenburg 26 September 1889-Überlingen 30 April 1983)
who married at Wernigerode on 23 September 1913
13. Christa Maria von Dülong (Magdeburg 24 December 1893-Baden 28 October 1983)
14. Prince Maximilian Egon zu Fürstenberg (Praha [modern day Prague], Bohemia 31 March 1896-Donaueschingen 6 April 1959)
who married at Wechselburg on 18 January 1921
15. Countess Wilhemine von Schönburg-Glauchau (Glauchau 17 October 1902-Biberach an der Riss 25 September 1964)
Valentine's Day newlyweds: Alexander von Preußen and his wife
Today, 14 February 2020, Prince Alexander of Prussia was married in a civil ceremony. The name of his wife is not yet known. Alexander's branch of the Prussian royal family is very private.
Princess Eva Maria, Princess Marie Antoinette, and Prince Adalbert of Prussia in 1997. Photograph (c) Presse-Foto-Seeger
Born on 3 October 1984, Alexander is the eldest of the three sons of Prince Adalbert of Prussia (b.1948) and Eva Maria Kudicke (b.1951). Adalbert and Eva Maria married in 1981. Their children are Prince Alexander and the twin Princes Christian and Philipp (b.3 July 1986). Alex von Preußen is a Senior Director at Holtzbrinck Digital in Munich. The prince studied economics at Bocconi University and then went on to receive his masters in International Business from Maastricht University in Belgium.
Prince Alexander of Prussia's paternal grandparents were Prince Wilhelm Viktor of Prussia (1919-1989) and Countess Marie Antoinette Hoyos (1920-2004). Alexander's paternal great-grandparents were Prince Adalbert of Prussia (1884-1948) and Princess Adelheid of Saxe-Meiningen (1891-1971). Prince Alexander is a great-great-grandson of German Emperor Wilhelm II.
Through his descent from Wilhelm II, Alexander von Preußen (b.1984) is a great-great-great-great-grandson of Queen Victoria of the United Kingdom (1819-1901).
German violinist Christian Tetzlaff performs Ludwig van Beethoven's Violin Concerto in D major, Op.61, with the NHK Symphony Orchestra under the baton of the Estonian conductor Paavo Järvi. The concert was recorded at NHK Hall, Tokyo, Japan, on May 12, 2018.
✻ Beethoven wrote his Violin Concerto in D major, Op.61 (1806), at the height of his so-called "second" period, one of the most fecund phases of his creativity. In the few years leading up to the Violin Concerto, Beethoven had produced such masterpieces as the Symphony No.3, Op.55 (1803), the Piano Concerto No.4, Op.58 (1805-1806), and two of his most important piano sonatas, No.21 in C major, Op.53 ("Waldstein", 1803-1804), and No.23 in F minor, Op.57 ("Appassionata", 1804-1805). The Violin Concerto represents a continuation – indeed, one of the crowning achievements – of Beethoven's exploration of the concerto, a form he would essay only once more, in the Piano Concerto No.5 (1809). By the time of the Violin Concerto, Beethoven had employed the violin in concertante roles in a more limited context. Around the time of the first two symphonies, he produced two romances for violin and orchestra; a few years later, he used the violin as a member of the solo trio in the Triple Concerto (1803-1804). These works, despite their musical effectiveness, must still be regarded as studies and workings-out in relation to the Violin Concerto, which more clearly demonstrates Beethoven's mastery in marshalling the distinctive formal and dramatic forces of the concerto form. Characteristic of Beethoven's music, the dramatic and structural implications of the concerto emerge at the outset, in a series of quiet timpani strokes that led some early detractors to dismiss the work as the "Kettledrum Concerto". Striking as it is, this fleeting, throbbing motive is more than just an attention-getter; indeed, it provides the very basis for the melodic and rhythmic material that is to follow. At over 25 minutes in length, the first movement is notable as one of the most extended in any of Beethoven's works, including the symphonies. Its breadth arises from Beethoven's adoption of the Classical ritornello form – here manifested in the extended tutti that precedes the entrance of the violin – and from the composer's expansive treatment of the melodic material throughout. The second movement takes a place among the most serene music Beethoven ever produced. Free from the dramatic unrest of the first movement, the second is marked by a tranquil, organic lyricism. Toward the end, an abrupt orchestral outburst leads into a cadenza, which in turn takes the work directly into the final movement. The genial Rondo, marked by a folk-like robustness and dancelike energy, makes some of the work's more virtuosic demands on the soloist. At the prompting of Muzio Clementi – one of the greatest piano virtuosi of the day aside from Beethoven himself – Beethoven later made a surprisingly effective transcription of the Violin Concerto as the unnumbered Piano Concerto in D major, Op.61a, famously adding to the first movement an extended cadenza that employs tympani in addition to the piano. Source: Michael Rodman (allmusic.com)
Ludwig van Beethoven (1770-1827) ♪ Violin Concerto in D major, Op.61 (1806)
i. Allegro ma non troppo ii. Larghetto iii. Rondo. Allegro
Encore: Johann Sebastian Bach (1685-1750) ♪ Violin Partita No.3 in E major, BWV 1006 (1720): iii. Gavotte en Rondeau
Christian Tetzlaff, violin
NHK Symphony Orchestra Conductor: Paavo Järvi
NHK Hall, Tokyo, Japan, May 12, 2018
(HD 1080p)
Christian Tetzlaff has been one of the most sought-after violinists and most exciting musicians on the classical music scene for many years. "The greatest performance of the work I’ve ever heard", wrote Tim Ashley (The Guardian, May 2015) of his interpretation of the Beethoven Violin Concerto with the London Symphony Orchestra and conductor Daniel Harding. Concerts with Christian Tetzlaff often turn into an existential experience for both the interpreter and the audience; suddenly old familiar works appear in a completely new light. In addition, he frequently turns his attention to forgotten masterpieces such as Joseph Joachim's Violin Concerto which he successfully championed, and he also attempts to bring important new works into the repertoire such as Jörg Widmann's Violin Concerto, which he premiered in 2013. He has an unusually extensive repertoire and performs approximately 100 concerts every year. Born in Hamburg in 1966 and now living in Berlin with his family, there are three things that make this musician unique, aside from his astounding skill on the violin. He interprets the musical manuscript in a literal fashion, perceives music as a language, and views great works as narratives which reflect existential experiences. As obvious as it may sound, he brings an unusual approach in his daily concert routine. Christian Tetzlaff tries to follow the manuscript as closely as possible – without regard for "performance tradition" and without indulging in the usual technical short-cuts on the violin – often allowing a renewed clarity and richness to arise in well-known works. As a violinist Tetzlaff tries to disappear from the music – paradoxically this makes his interpretations very personal. Secondly, Christian Tetzlaff "speaks" through his violin. Like human speech, his playing comprises a wide range of expressive means and is not aimed solely at achieving harmoniousness or virtuosic brilliance. Above all, however, he interprets the masterpieces of musical history as stories about first-hand experiences. The great composers have focused on intense feelings, great happiness and deep crises in their music; as a musician Christian Tetzlaff also explores the limits of feelings and musical expression. Many pieces deal with none other than life and death. Christian Tetzlaff's aim is to convey this to his audience. Christian Tetzlaff played in various youth orchestras for many years. His teacher at the Lübeck University of Music was Uwe-Martin Haiberg, for whom musical interpretation was the key to mastering violin technique, rather than the other way round. Christian Tetzlaff founded his own string quartet in 1994, and until now chamber music is still as important to him as his work as a soloist with and without the orchestra. The Tetzlaff Quartett received the Diapason d'or in 2015, and the trio with sister Tanja Tetzlaff and pianist Lars Vogt was nominated for a Grammy award. Christian Tetzlaff has also received numerous awards for his CD recordings, including the "Jahrespreis der Deutschen Schallplattenkritik" in 2018, the "Diapason d'or" in July 2018 and the Midem Classical Award in 2017. The new Ondine recording of Beethoven and Sibelius violin concertos with the Deutsches Symphonie-Orchester Berlin and Robin Ticciati is highly anticipated in autumn 2019. Of special significance is his solo recording of Bach's Sonatas and Partitas, which he has recorded for the third time and was released in September 2017. The Strad magazine praised this recording as "an attentive and lively answer to the beauty of Bach's solos". Christian Tetzlaff plays a violin made by the German violin maker Peter Greiner and teaches regularly at the Kronberg Academy. Source: christian-tetzlaff.de
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Film: Kidnap Director: Raja Chanda DOP: Souvik Basu Starring: Dev, Rukmini Maitra, Sahidur Rahman, Chandan Sen, Sriparna Roy, Prantik Banerjee, Buddhadeb Bhattacharya, Ashim Roy Chowdhury Music: Jeet Gannguli Story, Screenplay and Dialogues: N K Salil Associate Director - Dipankar Senapati Stunt Director: Rocky Rajesh Cinematographer: Souvik Basu Art Director: Tapash Sarkar Choreographer: Baba Yadav Editor: Md. Kalam Background Music: Savvy Trailer & Promo: Gourab Dutta Creative & Publicity Design by: Dev Entertainment Ventures Pvt. Ltd. Executive Producer: Sandeep Sathi Presenter: Nispal Singh Produced by: Surinder Films Pvt. Ltd.
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IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 480p HDRip File Size: 390MB
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IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 720p HDRip File Size: 940MB
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IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 1080p HDRip File Size: 2220MB
Love is for eternity! Fight for that love with Dev and Meghna this EID.
Presenting KIDNAP.
Film: Kidnap Director: Raja Chanda DOP: Souvik Basu Starring: Dev, Rukmini Maitra, Sahidur Rahman, Chandan Sen, Sriparna Roy, Prantik Banerjee, Buddhadeb Bhattacharya, Ashim Roy Chowdhury Music: Jeet Gannguli Story, Screenplay and Dialogues: N K Salil Associate Director - Dipankar Senapati Stunt Director: Rocky Rajesh Cinematographer: Souvik Basu Art Director: Tapash Sarkar Choreographer: Baba Yadav Editor: Md. Kalam Background Music: Savvy Trailer & Promo: Gourab Dutta Creative & Publicity Design by: Dev Entertainment Ventures Pvt. Ltd. Executive Producer: Sandeep Sathi Presenter: Nispal Singh Produced by: Surinder Films Pvt. Ltd.
Kidnap 2019 Bengali Movie 400MB ORG HDRip Download
IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 480p HDRip File Size: 390MB
Kidnap 2019 Bengali Movie 720p ORG HDRip 900MB Download
IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 720p HDRip File Size: 940MB
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IMDB Ratings: 7.2/10 Directed: Raja Chanda Released Date: 5 June 2019 (India) Genres: Drama Languages: Bengali Film Stars: Prantik Banerjee, Dev, Rukmini Maitra Movie Quality: 1080p HDRip File Size: 2220MB
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